Interview: Faith

Today we’re joined by Faith. Faith is a wonderful artist who does a bit of everything. She paints, writes, sings, plays instruments, and draws. She’s most passionate about dancing. Faith loves to dance. It’s clear she’s a passionate and talented artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I do a large variety of different art forms such as dance, singing, acting, instruments, drawing, painting, and more. I think the one that I’ve focused on the most would be dance. Dance has been one of those things that I started super young, 5 years old, and I have continued to do for so many years. It is like a safe haven for me. It is a way for me to let go of the world around me and just let my emotions out. I honestly can’t imagine my life without it.

What inspires you?

Nature and emotions inspire me mostly. I guess some combination of the two. I always feel so at peace outside in nature, as cheesy as it sounds, watching a cloud roll by or the rays of the sun through the trees. A lot of my movement comes from watching a river flow or a leaf caught in the wind. Surprisingly or not so surprisingly rain and puddles are where I find some of my most interesting ideas. Nature is never stagnate, and there is a lot to be found in the ever changing world.

As for emotions, there are such hidden depths to every single person out there. The raw emotions people don’t normally see are such an interesting thing to experience or choreograph with. Music choice works extremely well with this too, as music is supposed to evoke feelings. A slow dramatic piece could work with feelings of longing or sorrow while an uplifting song could focus on joy or peace.

What got you interested in your field?  Have you always wanted to be an artist?

Kind of embarrassing but the Barbie movie the Nutcracker is what got me started dancing. I realize now that the dancing on there is very bad but hey, I was 5. At the time I thought it was the best thing I had ever seen and I have been hooked on art ever since. This obviously snowballed into so many different types of arts like music, visual, performing, to the point of I can’t imagine my life without art. It is so integral to who I am that I have never imagined being anything other than an artist.

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Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t have one specific thing that occurs in all of my dances. I guess one of the most common things that occurs would be using music from movie, TV, or video game soundtracks but I wouldn’t really call that a unique signature. I’m just a huge geek!

What advice would you give young aspiring artists?

Don’t let anyone bring you down. You don’t become a prima ballerina overnight and you will fall down. Nobody is perfect and we have to accept that. One of the biggest things I see when people start dancing is being constantly being discouraged by corrections or criticism. The best thing you can do is take the corrections and learn from them. You will grow as a dancer, an artist, and a person. You have to remember that everyone started where you are now, and they used hard work and dedication to achieve their dreams. “Life isn’t about waiting for the storm to pass. It’s about learning to dance in the rain.”

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ASEXUALITY

Where on the spectrum do you identify?

I believe I am asexual and heteroromantic. I’m not entirely sure about the romantic side of me, I may be demiromantic, but I am definitely positive that I am asexual. I haven’t been in many situations where I can explore my sexuality further but that may just be because I generally avoid situations where people can give me romantic interest.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I haven’t really found that much prejudice is my field mainly because it is rarely talked about. That and most people I talk to don’t really know that much about asexuality. The main issue I have found is just the heteronormality and hypersexualized nature in the world. There are many dances that I have been in where the dance is fun until the choreographer decides to add in a sexualized section in order to draw the crowd in. It makes me uncomfortable to watch or perform and it is normally unnecessary.

I will say that where I perform, homosexual relationships are represented and choreographed which is quite refreshing. But there is no asexual representation.

What’s the most common misconception about asexuality that you’ve encountered?

That either we don’t exist or that people automatically assume that asexual people are all sex repulsed. I know that many of us don’t want sex, don’t like sex, or are even repulsed by it but there is a large amount of us who don’t mind sex. I don’t know where I fall on the whole sex spectrum but I do have an asexual friend who rants to me about the topic. She says that she enjoys the act of sex even if she isn’t sexually attracted to someone.

I guess another misconception that I have seen is that people would think that asexuality is just a low sex drive. An imbalance in chemicals. That it can be “fixed.” Asexuality is an orientation just like any other sexuality. There is nothing wrong with it nor is there anything wrong with an asexual person.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Have a good support system. One of the things that has helped me the most with my sexuality would be having people who understand and respect me. It has helped cure my insecurities and accept who I am.

Just remember that you are not alone. There are so many of us out there in the world who have been exactly where you are now. You are not broken. You are not weird or wrong or even a freak. There are people out there that can support you and that do accept you. There is more love for asexuals than hate. Focus on that.

Finally, where can people find out more about your work?

I don’t post a lot of my work online but I do have some on my Instagram account. It is a private account so if you want to see anything just DM me and tell me you saw this post and I’ll let you follow me! At kitten0981.

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Thank you, Faith, for participating in this interview and this project. It’s very much appreciated.

Interview: Jenny Prater

Today we’re joined by Jenny Prater. Jenny is a phenomenal author who writes a bit of everything. She writes novels, short stories, poetry, and even fairy tale analysis blogs. She has recently released a poetry book about being ace this past Valentine’s Day. It’s clear she’s a dedicated and passionate writer. My thanks to her for taking the time to participate in this interview.

1. Dear somebody cover only

WORK

Please, tell us about your art.

I’m an author; I write novels, short stories, poems, picture books, and fairy tale analysis blogs, though mostly only the poetry and blogs have been made available to read. I’m currently working on starting my own small press, so I want to wait to release most of my work until I have that going. I have two larger poetry books published through Amazon, and two chapbooks that I hand-bind and sell on Etsy. My last one just came out on Valentine’s Day; it’s called “Dear Somebody,” and it’s a collection of 12 poems about being asexual.

What inspires you?

I’m inspired mostly by folklore—not just the traditional stories, but their history. I love the idea of all of these very similar patterns being followed in so many places and time periods. Folk tales are a great example of collective storytelling. You can never attribute them to any author, because everyone who’s heard a story like Cinderella or Beauty and the Beast, over thousands of years, has heard it and told it slightly differently. When I write a poem about Sleeping Beauty or a short story based on The Little Mermaid, I’m participating in an ancient conversation. Story as a reflection of community is something I just think is really beautiful and inspiring.

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What got you interested in your field?  Have you always wanted to be an artist?

Always. My parents have videos of me, age 3, wandering around the house telling stories out loud about princesses and dinosaurs. I’ve never not had a story running in the back of my head; at some point it just seemed natural to start writing them down.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I really don’t! I do so many different kinds of writing, there’s not really one key feature that would carry through well in all of them. Though I guess I’ve never really gotten through an entire book without making some reference to folk or fairy tales, now that I’m thinking about it. I just don’t really do it on purpose.

What advice would you give young aspiring artists?

Focus on making things before you focus on making good things. It’s so easy to get caught up in making something perfect and never actually finish. Finish first. Fix later.

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ASEXUALITY

Where on the spectrum do you identify?

I’m asexual and, like, a tiny bit heteromantic, sometimes, depending on the day. Sometimes dating sounds fun, but mostly boys just seem gross.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Not in my field, no. But it’s only been a couple weeks since I released my first project that deals really directly with asexuality, so time will tell, I guess.

What’s the most common misconception about asexuality that you’ve encountered?

That I’m a late bloomer or haven’t met the right guy yet. You know, at 25, I’m pretty sure I’m done blooming.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

You’re not broken. I remember being just so confused about what was wrong with me, in middle school when all the other girls were starting to feel things that I wasn’t. It took a long time to figure things out, and that time was…not pleasant. But everything is fine! You’re not falling behind and nothing is wrong with you!

Finally, where can people find out more about your work?

I’m kind of all over the place. You can find me on most social media sites under the username “konglindorm,” which is the name of my favorite fairy tale, but I think the best places to find out about my work are my fairy tale blog, http://konglindorm.blogspot.com/, and this page here that has links to all my published books: http://konglindorm.tumblr.com/books.

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Thank you, Jenny, for participating in this interview and this project. It’s very much appreciated.

Interview: Meredith Dobbs

Today we’re joined by Meredith Dobbs. Meredith is a phenomenal filmmaker based in London. She specializes in narrative films, particularly improv drama. She currently works on short films and web series. Meredith hopes to get into indie features eventually. It’s very clear that she’s an incredibly passionate and talented artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I’m a writer, director, and editor of narrative films. I’m working on shorts and web series now, and I want to make indie features long term. As a writer and director, I work primarily in improv drama.

What inspires you?

I’m really interested in relationships, and I’m interested in space between reality and fiction. Films can feel so realistic, so much like life, without ever being truly real because at the end of the day, film is still an artistic medium. And that line between film and reality that you can strive for but never cross is really interesting to me. Not in terms of pushing people to that edge, but pushing the art to it. So I think my stories will always be about relationships, and my techniques will in some way explore that edge.

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What got you interested in your field?  Have you always wanted to be an artist?

I always loved movies. We watched a lot of movies together as a family when I was a kid, and we still quote movies all the time.  When I went to college, I knew I wanted to take some film production classes, but I only saw them as fun electives because I felt I had to do something “serious” like biology.  So I arranged my classes to do a film degree alongside my biology degree.  But after one semester, I completely fell in love with film, and I really found myself in it.  I dropped the bio major and never, ever looked back.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I use an improv technique that I didn’t invent exactly, but I really had to work out for myself, so there isn’t anyone else that does it the way I do.  My scripts don’t have any dialogue at all — they just describe the characters’ thoughts and feelings — and the actors have to improvise their own dialogue.  I like how it requires listening and responding (the two key tenets of improv) between actors, but also between director and actor.

What advice would you give young aspiring artists?

I think the best advice, which is also the hardest to follow, is to do whatever you want to do. If you’re interested in something, try it out.  I wanted to do this film production summer camp when I was in high school – I really, really wanted it – but I was afraid to ask my parents to pay for it, so I didn’t go.  It makes me wonder how much time I lost not doing this thing I love so much.

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ASEXUALITY

Where on the spectrum do you identify?

Demisexual.  I have a long term partner who has helped me explore my sexual interests, but I also know I would happily be on the asexual side of my spectrum if I were single.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Not in my field, no. Honestly, my work has been the most accepting place for me to talk about my asexuality.  I’m currently working on a short film about a woman trying to tell her boyfriend that she’s bisexual, which was inspired by my experience telling my boyfriend that I’m demisexual.  (I hope to explore asexuality directly in a longer piece in the future.)  Everyone on the project has been nothing but engaged and accepting.

All the resistance and prejudice I’ve experienced has come from family and close friends.  I also struggle a little internally. Understanding the in-between nature of demisexuality has been hard, because I don’t fit in either camp: ace or allo.  I have to remind myself that fluid doesn’t mean unsure, because I’m certain demisexual is absolutely the right term for me.  So I work really hard to understand myself and communicate to my partner.

4. Sam and August Theater

What’s the most common misconception about asexuality that you’ve encountered?

That it’s not a sexuality; that it’s just my opinion, or just a phase.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Just knowing that a definition existed for me made all the difference in the world.  There’s nothing wrong with who you are, and there’s nothing wrong with defining yourself differently tomorrow, or next year, or 10 years from now.  It’s all fluid.

Finally, where can people find out more about your work?

www.meredithdobbsfilms.com

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Thank you, Meredith, for participating in this interview and this project. It’s very much appreciated.

Interview: Kat Lawson

Today we’re joined by Kat Lawson. Kat is a phenomenal writer and visual artist. She’s working on an urban fantasy novel that is filled with diverse and interesting character. When she’s not writing, Kat is a photographer who focuses on perspective and color. It’s clear she’s a very passionate artist who loves to create, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I’m primarily a fiction writer, specifically urban fantasy (though I’m not yet published, give me time). My books feature all kinds of sexualities and gender identities in the hopes that everyone who reads them can find someone like themselves, as well as a lot of vampires and other supernatural creatures. I also do a lot of photography on the side, where I focus on perspective and colour, and how changing your perspective can completely change what you see.

What inspires you?

I’m most inspired by the world around me. I go on a lot of nature walks to find inspiration for my photos, and I’ll take photos of anything that takes my fancy. Anything that holds beauty, even if it’s not traditional, will find itself my muse. I spend a lot of time down at the local gardens, the gardens there are themed and so no two photos are the same. I can often be seen in strange positions trying to get the perfect photo, especially when I’m playing with the perspective, trying to make a flower look like a tree or a puddle look like the sky.

My writing comes from the people around me and the stories they share with me, as well as a life-long fascination with the paranormal and fantastic. An English teacher I used to have in high school told me to write what you know and you can never go wrong, and I live by that. How I feel, experiences I’ve had, and research I have done all contribute to my stories.

What got you interested in your field?  Have you always wanted to be an artist?

My dad is a professional photographer, so he kind of passed on his love down to me. Right from the first camera I got at age ten I knew that I wanted to be able to share my photography with people and to share with them the memories that said photos hold.

I’ve wanted to be a writer for as long as I remember, I’ve always been a bookworm, and when I couldn’t find the sort of stories that featured people like me, I decided to write them myself.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t really have a signature, that I know of anyway.

What advice would you give young aspiring artists?

Never give up doing what you love, and don’t let anyone tell you it isn’t good enough. As long as you are doing what you love, then there will always be someone who will recognize it and love it in return.

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ASEXUALITY

Where on the spectrum do you identify?

I’m one of those people who has kind of jumped around the spectrum, trying on every label I could find until I eventually found one that fit me best. I grew up in a super religious household, where it was expected that I would marry a guy and have kids with him. It wasn’t until a friend told me (right at the end of high school) that I had other options that I even began to seriously consider that how I felt was okay and I didn’t have to pretend anymore. Realizing I was ace was easy once I found the word, I always felt like the whole sex thing was a joke, I never understood it or why it was so important in every story I felt. I always thought but why don’t they just not have sex? It was a total mystery to me. But now, after several years of experimenting with different labels, I’ve settled on asexual lesbian.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

The joys of being an independent artist is that I can pick and choose the people around me. I have come across a few people who haven’t been able to understand who I am, but I either do my best to either educate them, or simply ignore them. I’ve never really encountered true prejudice, more ignorance than anything else. All the jokes about sex and how I’d like it if I just tried it really grate after a while, but you learn to ignore it.

What’s the most common misconception about asexuality that you’ve encountered?

That sex-repulsed aces are the only aces out there. There’s this whole misconception that sexual attraction must be present for one to enjoy sex, which I totally disagree with. That, and that asexuality is a mental disorder, or just flat-out isn’t real.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

It’s okay to question, and it’s okay to change your label. Asexuality is hard to figure out, especially when you have nothing to compare it to. But you’re not broken, and it does get easier. Sexuality is a spectrum, and you’re allowed to change where you fall on it.

Finally, where can people find out more about your work?

As I’m unpublished, you can’t find my writing anywhere (yet, give me time), but my photography is on Instagram at Lady_Nyx and Tumblr at disaster-gay-beauregard.tumblr.com

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Thank you, Kat, for participating in this interview and this project. It’s very much appreciated.

Announcement: Ace Art Show!

Reminder: Only a few more days to submit work for the art show.

Hi everyone!

I come to you today with a huge exciting announcement. Next year, April 26th – 27th, I’m co-curating an art show for asexual identifying artists. Next April, there is going to be an international asexual conference in Canada entitled, “Unthinking Sex, Imagining Asexuality: Intersectional and Interdisciplinary Perspectives.” As part of the conference, there’s going to be an art show in a gallery featuring the work of asexual-identifying artists. This would be an amazing thing to put on your resume. We’re also going to have a table to display books and zines written by asexual writers.

I am super excited to have been offered this opportunity and I hope that some of  you will consider submitting work. I have interviewed so many talented artists and I’d love to show off your work to the world.

My co-curator, Heather, and I have written up the following call for artists. I’m looking forward to hearing from many of you.


CALL FOR ARTISTS

The inaugural international conference “Unthinking Sex, Imagining Asexuality: Intersectional and Interdisciplinary Perspectives” will be held April 26-27, 2019 at Simon Fraser University’s Harbour Centre Campus in Vancouver, located on unceded Coast Salish Territory, the traditional territories of Musqueam, Squamish, and Tsleil-Waututh First Nations. We are excited to announce an Asexual Art Show to be held in tandem at a local gallery in Vancouver, and we want your work!

Submissions will be received up to 12:00pm (Pacific Standard Time) on:
Tuesday, January 1, 2019

Eligibility:

  • To apply to this Call for Artists you must be someone who self-identifies as asexual and/or aromantic (including gray-asexual, demisexual, or on the ace spectrum).
  • You must be someone who creates art, broadly understood (including, but not limited to: painting, digitized art, visual poetry, mixed media, photography, drawing, printmaking, etc.).
  • Authors and zine-makers are also welcome to submit work (there will be a table to display written works by ace-identifying creators).

Details:

  • This exhibition does not charge exhibiting artists to display their works.
  • Unfortunately, due to the size and nature of our gallery space, we are unable to accept any sculptures or installation art. Please only submit 2D, and/or ready wall-mounted 3D works.

Application:

  • Attach to email no more than 5 images of your work (.jpg format- 300 dpi, no more than a total of 5MB).
  • Should you be submitting more than one work for consideration, please provide only 2-3 images of each work.
  • Proposed artwork must include title, material(s), dimensions, and date.
  • Please include a short bio (75 words max).
  • Please also include an artist statement that provides an introduction to your practice and artworks submitted (250 words max).
  • Selected artists are responsible for delivery, or shipment (as well as return shipping), of their works. Low-income artists, or artists that need financial assistance to participate, may be eligible for financial support.
  • Artwork must be ready to display (printed, ready-mounted, or framed).

All submissions must be in pdf format and emailed to aceartshow[at]gmail[dot]com by January 1, 2019 at noon. Artists will be notified no later than February 15, 2019 if their submission has been accepted for the art show.

Contact:

Should you have any questions regarding the conference or your application, please direct them to Lauren Jankowski and Heather Prost at aceartshow[at]gmail[dot]com


I will periodically reblog this to remind artists who follow this site as well as for anyone who may miss it the first time around.

Thanks, everyone!

Interview: Elowen

Today we’re joined by Elowen. Elowen is a phenomenal author who is currently hard at work on her first novel. She enjoys writing science fiction and fantasy. The novel she’s currently working on features an ace main character and it sounds like a fascinating story. It’s clear she’s a dedicated and passionate writer, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about your art.

I’m a fantasy and science fiction writer, albeit still unpublished. At the moment I’m working on what I hope will be my debut novel, a fantasy novel set in a bronze age-world heavily inspired by Ancient Mesopotamia (Iraq). One of the main characters is an asexual priestess, the other is a cis-het single mother who fights against the religious establishment. This story is a complete overhaul of my very first novel, combined with some elements from my third, and it has taken me several months of research and false starts, but I finally have a completed first draft that I think I can work with.

What inspires you?

Everything, really. The world around me, other people’s lives and relationships, other fantasy and sci-fi stories, my own experiences of being “the odd one out”. There’s a quote from Ursula Le Guin’s Tales from Earthsea that I have stuck on my computer: “The great and mighty go their way unchecked. All the hope left in the world is in the people of no account.” It’s this quote that inspires me to continue working on my current novel. I want to try to tell the stories of people of no account. The ordinary people who are made to suffer because of the greed of those in power.

What got you interested in your field?  Have you always wanted to be an artist?

When I was six, I found out what a writer was and I decided I wanted to be one. I still have my old notebooks from that time, with stories that blatantly ripped off Care Bears and My Little Pony, though I’m glad to say that later on, my stories became a bit more original ,-). Unfortunately, although I definitely have creative family members, none of them are or were professional artists, so becoming a writer wasn’t considered a proper career choice, and my writing ambitions were reduced to keeping a diary when I was a teenager. I went to university to study science instead, and later theology. It was only when I moved to a different country that I came back to wanting to be a writer. One of my “problems” is that I’m multi-passionate. I play baroque violin, I was a fanatic badminton player in my teens, and in my early twenties I got heavily into Irish dancing, for example. Only when I moved away from all these “distractions” and started afresh in a different country was I able to come to terms with the fact that I’m just interested in many different things, and reasonably successful at pursuing those interests. My love for science got me into writing science fiction, and my fascination with religion, mythology and anything magical got me into fantasy. Fantasy, to me, isn’t ‘make-believe’, it’s a modern type of mythology meant to explore fundamental ideas about the world, and about life. Together with science fiction, I think fantasy is the perfect genre to explore alternatives to reality.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I love inventing religions and write about made-up gods. I also love writing about mentors, and I think that’s because all my life I’ve been looking for one myself. I had teachers and mentors, of course, but none of them could really help me figure out where my real talents lie. They were all specialists in their field, while I have to see ‘the big picture’ and explore many things at once.

What advice would you give young aspiring artists?

Do what you love doing, but play the game if you have to. I.e. if you need a steady day job to support your own artistic efforts and have stability in your life, it doesn’t make you any less of an artist. Keep learning and stay curious. You’re never too old to try something new.

ASEXUALITY

Where on the spectrum do you identify?

I’m grey-ace leaning towards being demisexual, and I also identify as genderfluid between cis-female and non-binary. After having been a happy single for most of my life, I’m now in happy, stable relationship with a man, so to all intents and purposes I’m a cis-het woman, but I don’t feel that way. For me, sex is a form of intimacy that I can enjoy because it brings me closer to the man I love, but I’d have no problem going without it for the rest of my life. It’s something to enjoy like a cup of coffee or a piece of chocolate, nothing more. Sex has never played an important part in my life. I am however a very touchy-feely type of person with people I trust, and that kind of non-sexual contact is much more important to me.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

No, because so far I’m only out on Twitter, where I use an alias.

What’s the most common misconception about asexuality that you’ve encountered?

I think that having no interest in sex is often “infantilized”, as if being ace means you’re not developed enough yet to join in with the adults. At one point I was convinced that the only difference between YA and adult fantasy is that in adult fantasy the characters explicitly talk about sex and genitals, and have sex. I thought that my own writing was not adult fantasy because I didn’t want to write about those things.

Another thing is that I can have platonic crushes, meaning that I am attracted to certain people (or even fictional characters) for their intellectual insights or artistry or their personality. One example is the actor Alexander Siddig. I’d love to be able to have a deep conversation with him one day, but there is no way on earth I’d ever be interested in any kind of sexual contact. And yet many people confuse these things. I can also admire physical beauty in certain people, but even then there’s no sexual attraction involved, and many people find that hard to grasp. That always puzzled me, until I discovered I was ace.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Don’t be afraid to be yourself. Sex is overrated. There, I said it.

Finally, where can people find out more about your work?

Well, there’s nothing to find yet, but you can follow me on Twitter if you like (at scriobhann_si). I love connecting with other artists!

Thank you, Elowen, for participating in this interview and this project. It’s very much appreciated.

Interview: Inbar

Today we’re joined by Inbar. Inbar is a phenomenal visual artist and writer who has been running a webcomic for almost a year and a half. It’s entitled Just a Sidekick and it’s a superhero story that sounds fascinating. Aside from the webcomic, she’s also currently studying animation and is working on her final movie. When she’s not working on the webcomic or animation projects, Inbar also writes fanfiction. It’s clear she’s a dedicated and enthusiastic artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

5. My So-Called Face
My So-Called Face

WORK

Please, tell us about your art.

The main project I am currently working on right now is a webcomic called “Just a Sidekick”, it’s a superhero ensemble story with a large focus on character interactions and character development. I’m also studying to be an animator, I’m in my last (fourth) year – and although I currently haven’t done any animation work that isn’t technically school work, I’m fairly proud in my animations. Currently, I just started work on my final movie, an urban fantasy called “Shoshi Ben-Abraham: Good Witch (Usually)” about a soft pastel witch and outgrowing the influence of toxic parents. In additions, I do some writing. The stories that I have online (and in English) are mostly fanfiction on AO3 (I’m currently writing for the Ace Attorney fandom), but I’ve also written original fiction before. Mostly short stories, but I’ve dabbled in poetry too.

What inspires you?

That’s the million-dollar question, isn’t it? Sometimes I feel like I’ve got stories overflowing in my brain all the time and I just need to grab the not-sucky ones and share those in the best medium possible. But I guess my biggest source of inspiration is… other works of art and storytelling media. Not in the sense that I consider myself a rip-off artist or that I steal ideas, but I just… I look at a work of fiction and find something about it I like; a particular character, a trope, a relationship, a plot point, a design aesthetic or even just a feel that the work inspires, and I go “That’s neat, I wonder what I could do with that. I wonder if I can give this idea a take of my own. A spin that takes the stuff that I like but makes it unique enough so it’s mine.” I used to go roaming on the TV Tropes website all the time, find a trope I think has cool potential and think what I could do with it. I’m a fan and analyst as much as I am a creator, and I think it reflects in my artistic process. Also, “Just a Sidekick” started out a middle-school piece of crossover fanfiction that mutated so much that I was better off just making it original fiction, so that’s something.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve been drawing and making up stories since I can remember myself. As a kid, I used to draw in any given opportunity, on anything I could find. On the final first grade, I had to stay after everyone had left to clean up the desk in my classroom as punishment for all the desks I doodled on. After that, my parents started buying me blank “drawing notebooks” to draw on instead. I filled them up, sometimes an entire notebook in one school day, with illustrations (and sometimes stories) I made up. I also always really liked animation, cartoon shows were my favorite form of entertainment as a child (I was always inherently biased against any kid’s show with live-action actors, they were always less interesting to me.) However, up until middle-school I didn’t consider animation, comics or art in general as a future career option. I thought of them as a hobby, my first dream (well, after I outgrew wanting to be a puppeteer-air hostess-cook-kindergarten teacher-robot scientist-farmer) was to be a zoologist. I love animals and I love reading facts about them, I thought I would enjoy becoming a scientist who studies them. But around middle school I started realizing it wasn’t a very realistic dream, I didn’t have a head for the sciencey subjects and I only really enjoyed knowing about animals from a distance and without all the icky stuff. Around that time, as I was reconsidering what I want to do with my life, I was watching some special feature about the history of Pixar in one of their DVDs (maybe the Incredibles?). Someone there said that they got into animation because they grew up watching Disney animated movies and so they wanted to do so themselves. That seemed like the right angle to go at, a lot of people answer ‘why did you decide to become an X’ with “well, I grew up inspired by X and I wanted to pay it forward to the next generation”. And what was my favorite form of media as a kid? The one I would like to advance forward to the kids of tomorrow? Cartoon shows! That’s when I decided that one I day I’ll be the creator of a cartoon show, or if that can’t happen – I’ll at leas be an animator. Also around the same time I was suddenly starting to have some problems with art class in school because it was starting to lean more ‘realistic’ and toward live-drawing – while I, I realized, care more about the art of telling stories via my drawing. The move to comics and animation is only logical from there.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

My signature is the Hebrew Letter Ayin (the first letter of my name) stylized and with a dot in the middle to make it look like an eye (another meaning for the word “Ayin”). Although I don’t use it on a lot of online content. In terms of recurring storytelling motifs, I guess most of my stories have a mostly-female cast, and I really like the trope where a character has to face against a pre-character development representation of themselves.

4. My Signature
Signature

What advice would you give young aspiring artists?

Find something that you’re both pretty good at and have fun doing and focus on that. Also, originality is overrated. Having a unique idea nobody ever thought before is not nearly as important as presenting and delivering those ideas well.

2. Page 63
Page 63

ASEXUALITY

Where on the spectrum do you identify?

The identity I feel most strongly about is “Asexual, period, full stop.” For the sake of communication, I can say that my identity is “Asexual Aromantic”, and it’s not that I’m ashamed at my lack of romantic attraction or that I don’t feel solidarity with other Aro people… but I’ve spent so much time questioning and second-guessing my own orientation and worrying that I might be ‘faking it’. But “Asexual” is the one label I’ve always come back to, the one that feels the most ‘right’, the most like home.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’ve encountered ace prejudice, but not in my ‘field’, so to speak. I’m not very vocal about my asexuality outside of the internet, and online (where I am very vocal) I’m just not that well-known as a creator. One time I made a piece of art as schoolwork about my AroAceness, and the teacher started out with “Oh that’s very sad that you felt like you have to fake attraction to a boy” but ended up constantly talking about her husbands and soulmates and how wonderful relationships were as if me talking about how I was hurt by heteronormativity is insulting her relationship somehow. That kinda hurt me, especially since it was such a personal piece. I am very afraid of the possibility I might be the target of ace prejudice, though. It’s an anxiety that’s constantly on my mind.

3. Shoshi model sheet
Shoshi model sheet

What’s the most common misconception about asexuality that you’ve encountered?

That it’s not ‘real’. When I first mentioned Asexuality to my dad, before I came out, he dismissed it as “what crazy thing they’ll make up next” and it really hurt me. I’ve seen all sorts of crazy antagonism and misunderstanding about Ace People online, but the outright dismissal of our identities is still what hurts me the most.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Surround yourself with good friends who respect your identity. Even if the world can be really crappy sometimes, a good community to take refuge in can make you feel a lot better. Also, try and not get stressed about your identity the way that I did, okay? You’re probably not faking it or lying to yourself, and if asexuality feels like the most ‘right’ label for you and makes you happy – that’s all you need.

Finally, where can people find out more about your work?

My webcomic, Just a Sidekick, is found at http://justasidekickcomics.tumblr.com/ and http://justasidekick.thecomicseries.com/.

My fanfiction is on Archive of Our Own under “Invader Ham” https://archiveofourown.org/users/InvaderHam

I might upload some animated projects to my YouTube channel soon, which is https://www.youtube.com/channel/UCTL3B4o0qQzpyd_cvzHw-jg

1. Dana
Dana

Thank you, Inbar, for participating in this interview and this project. It’s very much appreciated.