Interview: Meredith Dobbs

Today we’re joined by Meredith Dobbs. Meredith is a phenomenal filmmaker based in London. She specializes in narrative films, particularly improv drama. She currently works on short films and web series. Meredith hopes to get into indie features eventually. It’s very clear that she’s an incredibly passionate and talented artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

1

WORK

Please, tell us about your art.

I’m a writer, director, and editor of narrative films. I’m working on shorts and web series now, and I want to make indie features long term. As a writer and director, I work primarily in improv drama.

What inspires you?

I’m really interested in relationships, and I’m interested in space between reality and fiction. Films can feel so realistic, so much like life, without ever being truly real because at the end of the day, film is still an artistic medium. And that line between film and reality that you can strive for but never cross is really interesting to me. Not in terms of pushing people to that edge, but pushing the art to it. So I think my stories will always be about relationships, and my techniques will in some way explore that edge.

2

What got you interested in your field?  Have you always wanted to be an artist?

I always loved movies. We watched a lot of movies together as a family when I was a kid, and we still quote movies all the time.  When I went to college, I knew I wanted to take some film production classes, but I only saw them as fun electives because I felt I had to do something “serious” like biology.  So I arranged my classes to do a film degree alongside my biology degree.  But after one semester, I completely fell in love with film, and I really found myself in it.  I dropped the bio major and never, ever looked back.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I use an improv technique that I didn’t invent exactly, but I really had to work out for myself, so there isn’t anyone else that does it the way I do.  My scripts don’t have any dialogue at all — they just describe the characters’ thoughts and feelings — and the actors have to improvise their own dialogue.  I like how it requires listening and responding (the two key tenets of improv) between actors, but also between director and actor.

What advice would you give young aspiring artists?

I think the best advice, which is also the hardest to follow, is to do whatever you want to do. If you’re interested in something, try it out.  I wanted to do this film production summer camp when I was in high school – I really, really wanted it – but I was afraid to ask my parents to pay for it, so I didn’t go.  It makes me wonder how much time I lost not doing this thing I love so much.

3

ASEXUALITY

Where on the spectrum do you identify?

Demisexual.  I have a long term partner who has helped me explore my sexual interests, but I also know I would happily be on the asexual side of my spectrum if I were single.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Not in my field, no. Honestly, my work has been the most accepting place for me to talk about my asexuality.  I’m currently working on a short film about a woman trying to tell her boyfriend that she’s bisexual, which was inspired by my experience telling my boyfriend that I’m demisexual.  (I hope to explore asexuality directly in a longer piece in the future.)  Everyone on the project has been nothing but engaged and accepting.

All the resistance and prejudice I’ve experienced has come from family and close friends.  I also struggle a little internally. Understanding the in-between nature of demisexuality has been hard, because I don’t fit in either camp: ace or allo.  I have to remind myself that fluid doesn’t mean unsure, because I’m certain demisexual is absolutely the right term for me.  So I work really hard to understand myself and communicate to my partner.

4. Sam and August Theater

What’s the most common misconception about asexuality that you’ve encountered?

That it’s not a sexuality; that it’s just my opinion, or just a phase.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Just knowing that a definition existed for me made all the difference in the world.  There’s nothing wrong with who you are, and there’s nothing wrong with defining yourself differently tomorrow, or next year, or 10 years from now.  It’s all fluid.

Finally, where can people find out more about your work?

www.meredithdobbsfilms.com

5

Thank you, Meredith, for participating in this interview and this project. It’s very much appreciated.

Interview: Kat Lawson

Today we’re joined by Kat Lawson. Kat is a phenomenal writer and visual artist. She’s working on an urban fantasy novel that is filled with diverse and interesting character. When she’s not writing, Kat is a photographer who focuses on perspective and color. It’s clear she’s a very passionate artist who loves to create, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

1

WORK

Please, tell us about your art.

I’m primarily a fiction writer, specifically urban fantasy (though I’m not yet published, give me time). My books feature all kinds of sexualities and gender identities in the hopes that everyone who reads them can find someone like themselves, as well as a lot of vampires and other supernatural creatures. I also do a lot of photography on the side, where I focus on perspective and colour, and how changing your perspective can completely change what you see.

What inspires you?

I’m most inspired by the world around me. I go on a lot of nature walks to find inspiration for my photos, and I’ll take photos of anything that takes my fancy. Anything that holds beauty, even if it’s not traditional, will find itself my muse. I spend a lot of time down at the local gardens, the gardens there are themed and so no two photos are the same. I can often be seen in strange positions trying to get the perfect photo, especially when I’m playing with the perspective, trying to make a flower look like a tree or a puddle look like the sky.

My writing comes from the people around me and the stories they share with me, as well as a life-long fascination with the paranormal and fantastic. An English teacher I used to have in high school told me to write what you know and you can never go wrong, and I live by that. How I feel, experiences I’ve had, and research I have done all contribute to my stories.

What got you interested in your field?  Have you always wanted to be an artist?

My dad is a professional photographer, so he kind of passed on his love down to me. Right from the first camera I got at age ten I knew that I wanted to be able to share my photography with people and to share with them the memories that said photos hold.

I’ve wanted to be a writer for as long as I remember, I’ve always been a bookworm, and when I couldn’t find the sort of stories that featured people like me, I decided to write them myself.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t really have a signature, that I know of anyway.

What advice would you give young aspiring artists?

Never give up doing what you love, and don’t let anyone tell you it isn’t good enough. As long as you are doing what you love, then there will always be someone who will recognize it and love it in return.

2

ASEXUALITY

Where on the spectrum do you identify?

I’m one of those people who has kind of jumped around the spectrum, trying on every label I could find until I eventually found one that fit me best. I grew up in a super religious household, where it was expected that I would marry a guy and have kids with him. It wasn’t until a friend told me (right at the end of high school) that I had other options that I even began to seriously consider that how I felt was okay and I didn’t have to pretend anymore. Realizing I was ace was easy once I found the word, I always felt like the whole sex thing was a joke, I never understood it or why it was so important in every story I felt. I always thought but why don’t they just not have sex? It was a total mystery to me. But now, after several years of experimenting with different labels, I’ve settled on asexual lesbian.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

The joys of being an independent artist is that I can pick and choose the people around me. I have come across a few people who haven’t been able to understand who I am, but I either do my best to either educate them, or simply ignore them. I’ve never really encountered true prejudice, more ignorance than anything else. All the jokes about sex and how I’d like it if I just tried it really grate after a while, but you learn to ignore it.

What’s the most common misconception about asexuality that you’ve encountered?

That sex-repulsed aces are the only aces out there. There’s this whole misconception that sexual attraction must be present for one to enjoy sex, which I totally disagree with. That, and that asexuality is a mental disorder, or just flat-out isn’t real.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

It’s okay to question, and it’s okay to change your label. Asexuality is hard to figure out, especially when you have nothing to compare it to. But you’re not broken, and it does get easier. Sexuality is a spectrum, and you’re allowed to change where you fall on it.

Finally, where can people find out more about your work?

As I’m unpublished, you can’t find my writing anywhere (yet, give me time), but my photography is on Instagram at Lady_Nyx and Tumblr at disaster-gay-beauregard.tumblr.com

3

Thank you, Kat, for participating in this interview and this project. It’s very much appreciated.

Announcement: Ace Art Show!

Reminder: Only a few more days to submit work for the art show.

Hi everyone!

I come to you today with a huge exciting announcement. Next year, April 26th – 27th, I’m co-curating an art show for asexual identifying artists. Next April, there is going to be an international asexual conference in Canada entitled, “Unthinking Sex, Imagining Asexuality: Intersectional and Interdisciplinary Perspectives.” As part of the conference, there’s going to be an art show in a gallery featuring the work of asexual-identifying artists. This would be an amazing thing to put on your resume. We’re also going to have a table to display books and zines written by asexual writers.

I am super excited to have been offered this opportunity and I hope that some of  you will consider submitting work. I have interviewed so many talented artists and I’d love to show off your work to the world.

My co-curator, Heather, and I have written up the following call for artists. I’m looking forward to hearing from many of you.


CALL FOR ARTISTS

The inaugural international conference “Unthinking Sex, Imagining Asexuality: Intersectional and Interdisciplinary Perspectives” will be held April 26-27, 2019 at Simon Fraser University’s Harbour Centre Campus in Vancouver, located on unceded Coast Salish Territory, the traditional territories of Musqueam, Squamish, and Tsleil-Waututh First Nations. We are excited to announce an Asexual Art Show to be held in tandem at a local gallery in Vancouver, and we want your work!

Submissions will be received up to 12:00pm (Pacific Standard Time) on:
Tuesday, January 1, 2019

Eligibility:

  • To apply to this Call for Artists you must be someone who self-identifies as asexual and/or aromantic (including gray-asexual, demisexual, or on the ace spectrum).
  • You must be someone who creates art, broadly understood (including, but not limited to: painting, digitized art, visual poetry, mixed media, photography, drawing, printmaking, etc.).
  • Authors and zine-makers are also welcome to submit work (there will be a table to display written works by ace-identifying creators).

Details:

  • This exhibition does not charge exhibiting artists to display their works.
  • Unfortunately, due to the size and nature of our gallery space, we are unable to accept any sculptures or installation art. Please only submit 2D, and/or ready wall-mounted 3D works.

Application:

  • Attach to email no more than 5 images of your work (.jpg format- 300 dpi, no more than a total of 5MB).
  • Should you be submitting more than one work for consideration, please provide only 2-3 images of each work.
  • Proposed artwork must include title, material(s), dimensions, and date.
  • Please include a short bio (75 words max).
  • Please also include an artist statement that provides an introduction to your practice and artworks submitted (250 words max).
  • Selected artists are responsible for delivery, or shipment (as well as return shipping), of their works. Low-income artists, or artists that need financial assistance to participate, may be eligible for financial support.
  • Artwork must be ready to display (printed, ready-mounted, or framed).

All submissions must be in pdf format and emailed to aceartshow[at]gmail[dot]com by January 1, 2019 at noon. Artists will be notified no later than February 15, 2019 if their submission has been accepted for the art show.

Contact:

Should you have any questions regarding the conference or your application, please direct them to Lauren Jankowski and Heather Prost at aceartshow[at]gmail[dot]com


I will periodically reblog this to remind artists who follow this site as well as for anyone who may miss it the first time around.

Thanks, everyone!

Interview: Elowen

Today we’re joined by Elowen. Elowen is a phenomenal author who is currently hard at work on her first novel. She enjoys writing science fiction and fantasy. The novel she’s currently working on features an ace main character and it sounds like a fascinating story. It’s clear she’s a dedicated and passionate writer, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about your art.

I’m a fantasy and science fiction writer, albeit still unpublished. At the moment I’m working on what I hope will be my debut novel, a fantasy novel set in a bronze age-world heavily inspired by Ancient Mesopotamia (Iraq). One of the main characters is an asexual priestess, the other is a cis-het single mother who fights against the religious establishment. This story is a complete overhaul of my very first novel, combined with some elements from my third, and it has taken me several months of research and false starts, but I finally have a completed first draft that I think I can work with.

What inspires you?

Everything, really. The world around me, other people’s lives and relationships, other fantasy and sci-fi stories, my own experiences of being “the odd one out”. There’s a quote from Ursula Le Guin’s Tales from Earthsea that I have stuck on my computer: “The great and mighty go their way unchecked. All the hope left in the world is in the people of no account.” It’s this quote that inspires me to continue working on my current novel. I want to try to tell the stories of people of no account. The ordinary people who are made to suffer because of the greed of those in power.

What got you interested in your field?  Have you always wanted to be an artist?

When I was six, I found out what a writer was and I decided I wanted to be one. I still have my old notebooks from that time, with stories that blatantly ripped off Care Bears and My Little Pony, though I’m glad to say that later on, my stories became a bit more original ,-). Unfortunately, although I definitely have creative family members, none of them are or were professional artists, so becoming a writer wasn’t considered a proper career choice, and my writing ambitions were reduced to keeping a diary when I was a teenager. I went to university to study science instead, and later theology. It was only when I moved to a different country that I came back to wanting to be a writer. One of my “problems” is that I’m multi-passionate. I play baroque violin, I was a fanatic badminton player in my teens, and in my early twenties I got heavily into Irish dancing, for example. Only when I moved away from all these “distractions” and started afresh in a different country was I able to come to terms with the fact that I’m just interested in many different things, and reasonably successful at pursuing those interests. My love for science got me into writing science fiction, and my fascination with religion, mythology and anything magical got me into fantasy. Fantasy, to me, isn’t ‘make-believe’, it’s a modern type of mythology meant to explore fundamental ideas about the world, and about life. Together with science fiction, I think fantasy is the perfect genre to explore alternatives to reality.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I love inventing religions and write about made-up gods. I also love writing about mentors, and I think that’s because all my life I’ve been looking for one myself. I had teachers and mentors, of course, but none of them could really help me figure out where my real talents lie. They were all specialists in their field, while I have to see ‘the big picture’ and explore many things at once.

What advice would you give young aspiring artists?

Do what you love doing, but play the game if you have to. I.e. if you need a steady day job to support your own artistic efforts and have stability in your life, it doesn’t make you any less of an artist. Keep learning and stay curious. You’re never too old to try something new.

ASEXUALITY

Where on the spectrum do you identify?

I’m grey-ace leaning towards being demisexual, and I also identify as genderfluid between cis-female and non-binary. After having been a happy single for most of my life, I’m now in happy, stable relationship with a man, so to all intents and purposes I’m a cis-het woman, but I don’t feel that way. For me, sex is a form of intimacy that I can enjoy because it brings me closer to the man I love, but I’d have no problem going without it for the rest of my life. It’s something to enjoy like a cup of coffee or a piece of chocolate, nothing more. Sex has never played an important part in my life. I am however a very touchy-feely type of person with people I trust, and that kind of non-sexual contact is much more important to me.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

No, because so far I’m only out on Twitter, where I use an alias.

What’s the most common misconception about asexuality that you’ve encountered?

I think that having no interest in sex is often “infantilized”, as if being ace means you’re not developed enough yet to join in with the adults. At one point I was convinced that the only difference between YA and adult fantasy is that in adult fantasy the characters explicitly talk about sex and genitals, and have sex. I thought that my own writing was not adult fantasy because I didn’t want to write about those things.

Another thing is that I can have platonic crushes, meaning that I am attracted to certain people (or even fictional characters) for their intellectual insights or artistry or their personality. One example is the actor Alexander Siddig. I’d love to be able to have a deep conversation with him one day, but there is no way on earth I’d ever be interested in any kind of sexual contact. And yet many people confuse these things. I can also admire physical beauty in certain people, but even then there’s no sexual attraction involved, and many people find that hard to grasp. That always puzzled me, until I discovered I was ace.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Don’t be afraid to be yourself. Sex is overrated. There, I said it.

Finally, where can people find out more about your work?

Well, there’s nothing to find yet, but you can follow me on Twitter if you like (at scriobhann_si). I love connecting with other artists!

Thank you, Elowen, for participating in this interview and this project. It’s very much appreciated.

Interview: Inbar

Today we’re joined by Inbar. Inbar is a phenomenal visual artist and writer who has been running a webcomic for almost a year and a half. It’s entitled Just a Sidekick and it’s a superhero story that sounds fascinating. Aside from the webcomic, she’s also currently studying animation and is working on her final movie. When she’s not working on the webcomic or animation projects, Inbar also writes fanfiction. It’s clear she’s a dedicated and enthusiastic artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

5. My So-Called Face
My So-Called Face

WORK

Please, tell us about your art.

The main project I am currently working on right now is a webcomic called “Just a Sidekick”, it’s a superhero ensemble story with a large focus on character interactions and character development. I’m also studying to be an animator, I’m in my last (fourth) year – and although I currently haven’t done any animation work that isn’t technically school work, I’m fairly proud in my animations. Currently, I just started work on my final movie, an urban fantasy called “Shoshi Ben-Abraham: Good Witch (Usually)” about a soft pastel witch and outgrowing the influence of toxic parents. In additions, I do some writing. The stories that I have online (and in English) are mostly fanfiction on AO3 (I’m currently writing for the Ace Attorney fandom), but I’ve also written original fiction before. Mostly short stories, but I’ve dabbled in poetry too.

What inspires you?

That’s the million-dollar question, isn’t it? Sometimes I feel like I’ve got stories overflowing in my brain all the time and I just need to grab the not-sucky ones and share those in the best medium possible. But I guess my biggest source of inspiration is… other works of art and storytelling media. Not in the sense that I consider myself a rip-off artist or that I steal ideas, but I just… I look at a work of fiction and find something about it I like; a particular character, a trope, a relationship, a plot point, a design aesthetic or even just a feel that the work inspires, and I go “That’s neat, I wonder what I could do with that. I wonder if I can give this idea a take of my own. A spin that takes the stuff that I like but makes it unique enough so it’s mine.” I used to go roaming on the TV Tropes website all the time, find a trope I think has cool potential and think what I could do with it. I’m a fan and analyst as much as I am a creator, and I think it reflects in my artistic process. Also, “Just a Sidekick” started out a middle-school piece of crossover fanfiction that mutated so much that I was better off just making it original fiction, so that’s something.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve been drawing and making up stories since I can remember myself. As a kid, I used to draw in any given opportunity, on anything I could find. On the final first grade, I had to stay after everyone had left to clean up the desk in my classroom as punishment for all the desks I doodled on. After that, my parents started buying me blank “drawing notebooks” to draw on instead. I filled them up, sometimes an entire notebook in one school day, with illustrations (and sometimes stories) I made up. I also always really liked animation, cartoon shows were my favorite form of entertainment as a child (I was always inherently biased against any kid’s show with live-action actors, they were always less interesting to me.) However, up until middle-school I didn’t consider animation, comics or art in general as a future career option. I thought of them as a hobby, my first dream (well, after I outgrew wanting to be a puppeteer-air hostess-cook-kindergarten teacher-robot scientist-farmer) was to be a zoologist. I love animals and I love reading facts about them, I thought I would enjoy becoming a scientist who studies them. But around middle school I started realizing it wasn’t a very realistic dream, I didn’t have a head for the sciencey subjects and I only really enjoyed knowing about animals from a distance and without all the icky stuff. Around that time, as I was reconsidering what I want to do with my life, I was watching some special feature about the history of Pixar in one of their DVDs (maybe the Incredibles?). Someone there said that they got into animation because they grew up watching Disney animated movies and so they wanted to do so themselves. That seemed like the right angle to go at, a lot of people answer ‘why did you decide to become an X’ with “well, I grew up inspired by X and I wanted to pay it forward to the next generation”. And what was my favorite form of media as a kid? The one I would like to advance forward to the kids of tomorrow? Cartoon shows! That’s when I decided that one I day I’ll be the creator of a cartoon show, or if that can’t happen – I’ll at leas be an animator. Also around the same time I was suddenly starting to have some problems with art class in school because it was starting to lean more ‘realistic’ and toward live-drawing – while I, I realized, care more about the art of telling stories via my drawing. The move to comics and animation is only logical from there.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

My signature is the Hebrew Letter Ayin (the first letter of my name) stylized and with a dot in the middle to make it look like an eye (another meaning for the word “Ayin”). Although I don’t use it on a lot of online content. In terms of recurring storytelling motifs, I guess most of my stories have a mostly-female cast, and I really like the trope where a character has to face against a pre-character development representation of themselves.

4. My Signature
Signature

What advice would you give young aspiring artists?

Find something that you’re both pretty good at and have fun doing and focus on that. Also, originality is overrated. Having a unique idea nobody ever thought before is not nearly as important as presenting and delivering those ideas well.

2. Page 63
Page 63

ASEXUALITY

Where on the spectrum do you identify?

The identity I feel most strongly about is “Asexual, period, full stop.” For the sake of communication, I can say that my identity is “Asexual Aromantic”, and it’s not that I’m ashamed at my lack of romantic attraction or that I don’t feel solidarity with other Aro people… but I’ve spent so much time questioning and second-guessing my own orientation and worrying that I might be ‘faking it’. But “Asexual” is the one label I’ve always come back to, the one that feels the most ‘right’, the most like home.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’ve encountered ace prejudice, but not in my ‘field’, so to speak. I’m not very vocal about my asexuality outside of the internet, and online (where I am very vocal) I’m just not that well-known as a creator. One time I made a piece of art as schoolwork about my AroAceness, and the teacher started out with “Oh that’s very sad that you felt like you have to fake attraction to a boy” but ended up constantly talking about her husbands and soulmates and how wonderful relationships were as if me talking about how I was hurt by heteronormativity is insulting her relationship somehow. That kinda hurt me, especially since it was such a personal piece. I am very afraid of the possibility I might be the target of ace prejudice, though. It’s an anxiety that’s constantly on my mind.

3. Shoshi model sheet
Shoshi model sheet

What’s the most common misconception about asexuality that you’ve encountered?

That it’s not ‘real’. When I first mentioned Asexuality to my dad, before I came out, he dismissed it as “what crazy thing they’ll make up next” and it really hurt me. I’ve seen all sorts of crazy antagonism and misunderstanding about Ace People online, but the outright dismissal of our identities is still what hurts me the most.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Surround yourself with good friends who respect your identity. Even if the world can be really crappy sometimes, a good community to take refuge in can make you feel a lot better. Also, try and not get stressed about your identity the way that I did, okay? You’re probably not faking it or lying to yourself, and if asexuality feels like the most ‘right’ label for you and makes you happy – that’s all you need.

Finally, where can people find out more about your work?

My webcomic, Just a Sidekick, is found at http://justasidekickcomics.tumblr.com/ and http://justasidekick.thecomicseries.com/.

My fanfiction is on Archive of Our Own under “Invader Ham” https://archiveofourown.org/users/InvaderHam

I might upload some animated projects to my YouTube channel soon, which is https://www.youtube.com/channel/UCTL3B4o0qQzpyd_cvzHw-jg

1. Dana
Dana

Thank you, Inbar, for participating in this interview and this project. It’s very much appreciated.

Interview: Anila

Today we’re joined by Anila. Anila is a wonderful fanartist and jewelry maker. They write in a variety of fandoms and enjoys writing fanfiction. They aspire to publish some original work some day. When they’re not writing, they enjoy making jewelry. It’s clear they’re a dedicated and enthusiastic artist, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

face

WORK

Please, tell us about your art.

I’m primarily a creative writer – mostly fanfiction but I’m working hard to finish my original works. It’s a dream to be published someday.

Other than that I make wire jewelry.

What inspires you?

To be honest, it can be anything from a long-forgotten scribble in the margins of old lecture notes to something a passer-by might be wearing. On one hand that means I’m lucky because I can draw from most things but on the other hand all these WIPs can get me down.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve always been good at writing – and when I started showing it to other people they were interested and, more importantly, they were affected. That made me want to write more.

As for jewelry, my mum bought a jewelry making book when I was a teenager and it seemed to stick.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

My writing tends to have an overabundance of commas, an abuse of semicolons, and a tendency for things to come in threes. Just like that previous sentence ;D

It’s hard to have a signature when it comes to wire jewelry, since it’s so freeform.

What advice would you give young aspiring artists?

Try not to put yourself down too much, though I understand it’s easy to do so.

Having friends act as cheerleaders is a blessing and can be one of the few things to keep you out of a slump.

Also, specifically for writers, if you understand the importance of receiving feedback in your work please be the change you wish to see the world – when you read online works, leave comments you yourself want to receive.

jewellery

ASEXUALITY

Where on the spectrum do you identify?

I’m a biromantic grey-ace. Basically I can have feelings for just about anyone regardless of gender, but wanting to be intimate is not necessarily included in that.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

While writing there is a big lack of ace representation. And of course there are the people who insist that so-and-so character simply cannot be ace because there’s no evidence that that is so – to which the reply is that this is fanfic, everything is possible, and ace-spectrum people do exist. There was also one person who tried to tell me that I couldn’t be grey-ace because of my smutty works, which… still makes me sigh.

On the outernet, where I’m closeted anyhow, there is very casual prejudice – the expectation that of course everyone has sex and you’re some sort of deviant otherwise. I do my best to educate when I can, though admittedly I tend to get defensive and annoyed very quickly.

What’s the most common misconception about asexuality that you’ve encountered?

That people need to have sex to live. Nope, bzzt, wrong, try again.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Take your time. There’s no rush to find out who you are. Do your research because knowledge is power. And, if you ever decide down the line that your orientation on the spectrum isn’t exactly what you thought it was, then that’s okay too.

Finally, where can people find out more about your work?

My writing’s on AO3 (http://archiveofourown.org/users/diemarysues), and I do yell about writing on my personal blog (http://diemarysues.tumblr.com).

Jewelry stuff is on my side blog (http://rustypliers.tumblr.com) though I am currently taking a break while I take better photos and edit them.

Thank you, Anila, for participating in this interview and this project. It’s very much appreciated.

Interview: Ray Wyse

Today we’re joined by Ray Wyse. Ray is a phenomenal visual artist and writer. They mostly write fanfiction but hope to publish some original work in the future. Aside from writing, they are also a dedicated visual artist who enjoys drawing and painting. They do a lot of portraiture work and their art is extraordinarily detailed. It’s clear they’re a passionate and talented artist, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

1

WORK

Please, tell us about your art.

My work varies, but I enjoy writing, drawing and painting. My writing is most often fictional pieces with characters I’ve created, and while I try and branch out with my artwork my strongest pieces have always been portraiture. In all my work I try and integrate what I know, in terms of my experiences and imagination. I’ll mainly referencing my artwork in this interview as it’s what most of my time and my education is dedicated to!

What inspires you?

Other people inspire me. I’m driven by seeing creators do what they love and doing it well, it really pushes me to try and be better.

But for choosing what I want to draw or paint I’m inspired by perception. I find drawing exactly what I can see boring, and I want to explore more emotive ways of portraying people and places. Usually this means playing with the features of the subject matter, taking them away or changing them through distortion or obstruction.

2

What got you interested in your field?  Have you always wanted to be an artist?

I’ve always wanted to create art. I’ve taken it at every level available to me through primary and secondary school, but it’s only recently at college I became determined to find some sort of career in it. I think most of our everyday life is the way it is because of artistic people, from film to advertising to product design, and yet it goes by unnoticed. Almost every field has a need for us, and when I realized that it only helped push my interest in the subject.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t really? There are maybe certain things I always do that I’m not aware of, but as someone who’s still trying to find their own style and techniques I don’t think I have any repetitive patterns, but I suppose I always draw specific attention to the eyes or the obstruction of them. I feel like that makes or breaks a good portrait.

What advice would you give young aspiring artists?

I would say that I know, I understand it’s frustrating sometimes. There will always be others that are around your age, who you think has work that surpasses your own. There will be times where you can’t get a picture JUST right. But you have to realize that your art is always changing and improving. It’s hard to notice day to day but try and redo a piece from just a few years or even months ago to see how you’ve changed! Practice, there isn’t a shortcut to progress! Support and learn from each other!

3

ASEXUALITY

Where on the spectrum do you identify?

I identify as asexual, but I don’t know where on the spectrum. I’m in a serious relationship, but I haven’t been for long enough to know whether or not I could be demi. Currently I identify as a panromantic ace, meaning I can have romantic attraction to any gender but sexual attraction to none.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I generally encounter confusion when talking to someone about my sexuality. It’s difficult, because as someone who didn’t find a label that worked for them until their late teens, I spent a lot of my childhood thinking I was ‘broken’ or otherwise ‘wrong’. And hearing it insinuated from someone else saying ‘how do you know? Maybe you just haven’t found the right person, etc. etc.’ can hurt a lot. Especially if coming from other people in the LGBT+ community.

But I have to remember I’m valid, and that’s what I tell them. I calmly explain that I just don’t feel sexual attraction, I never have, and it really isn’t a big concern. And if they don’t accept that, I stop conversing with them.

4

What’s the most common misconception about asexuality that you’ve encountered?

The most common misconception is that asexuality is comparable to practicing abstinence, as if sexuality is some sort of choice. Another common one is that all ace people ‘become’ asexual after some sort of traumatic experience

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

I would say it’s not your job to educate others, and it’s okay to not have everything figured out! You’ll hear about how it’s a ‘phase’ at some point in your life, and this will suck. But remember that no matter what, whether how you identify changes over the years or if a label you found at 13 still works for you at 33, you’re valid.

I’m not going to tell you it isn’t a phase and you won’t experience doubts. I’m going to tell you that if it is, that’s okay too.

Take time figuring yourself out, research the spectrum of different sexualities, and don’t feel bad if things change. How you identify at this moment is still 100% valid and don’t settle for anyone that doesn’t respect that.

Finally, where can people find out more about your work?

You can find more of my work on Instagram! I also do commissions; my username is at Rachel.Wyse

I’m hoping to branch into other social media sites soon, but for now the majority of my work is on Instagram.

5

Thank you, Ray, for participating in this interview and this project. It’s very much appreciated.