Today we’re joined by Nambroth. Nambroth is a phenomenal visual artist who specializes in painting fantasy and wildlife, with the occasional overlap between the two. While she worked a lot with digital painting, Nambroth recently moved back into traditional mediums. She currently favors oil painting and creates the most extraordinary visuals. Her work shows both a vivid imagination and incredible eye, as you’ll soon see. My thanks to her for taking the time to participate in this interview.
Please, tell us about your art.
I am a fantasy and wildlife visual artist, with some crossover between the two genres. I started out with traditional materials when I was a kid/teen, and when Wacom tablets and painting programs became available to the public, I became primarily a digital painter. Recently, in the last ten years, I’ve started working more in traditional mediums again, and in 2017 I started oil painting in earnest for the first time and I’m really in love with that medium right now.
What inspires you?
The list of what inspires me has blossomed over the years; I think oil painting has re-wired me a bit and I find myself getting excited to paint over nearly anything. That said, I am especially fond of nature (which is pretty general, I know) and birds in particular. I am often inspired by music and other’s art, and love seeing other artist’s paintings in person.
What got you interested in your field? Have you always wanted to be an artist?
I have wanted to be an artist from the age when I realized that such things were possible. I used to sit for hours with “Wildlife Artist” magazines in the 80s and early 90s, daydreaming about the career. Dragonheart came out when I was a young teen and starting to decide what I might want to do with my life; I was very inspired by the thought of making dragons (etc). When I neared graduation from high school, I was advised art wasn’t a good career choice, and did consider my other passions (ornithology / avian medicine) very seriously, but in the end I was stubborn and chased art as a career. I worked several minimum wage jobs for years after graduating high school before I could take the scary plunge and go full time with my art.
Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?
I’ve had a few friends tell me that my paintings of clouds/skies stand out to them, but beyond that I don’t think I have anything specific! I tend to be drawn to warm, and sometimes dramatic light, so I do often paint that sort of look.
What advice would you give young aspiring artists?
I am nervous about offering advice, because it makes it seem as if I am a purveyor of wisdom; in truth, I have been doing this for about 15 years now and I still have next to no idea what I’m doing. Many people really don’t know exactly what they’re doing, especially in this field. We’re all experimenting and making it up as we go, to some extent. I suppose that can be advice in of itself; don’t be afraid if you don’t know what you’re doing or how to get there, because we’re all sort of in the same boat, even if we have a few miles behind us! There is often no destination, even after a lifetime of art, I’m told.
Where on the spectrum do you identify?
I identify strongly as asexual, and possibly panromantic.
Have you encountered any kind of ace prejudice or ignorance in your field? If so, how do you handle it?
I have not been very open about being ace, especially professionally. I am married, and so carry a lot of privilege that way, as I’m seen as “typical” I think. To this end I have not faced much prejudice in regards to my asexuality, specifically.
What’s the most common misconception about asexuality that you’ve encountered?
Mostly that it’s not real, or that it’s a “cop-out” or avoidance tactic.
What advice would you give to any asexual individuals out there who might be struggling with their orientation?
I think it can be useful to see the labels for sexuality as something to help empower yourself, and not to try to force yourself into it, especially if you are still questioning. It was a relief to find a term for how I felt for so long when I discovered the term “asexual” as an orientation in the early 2000s. That said, it’s okay if you don’t feel that way; a perfect description doesn’t exist for every person out there and I think that’s just fine! We are living creatures and one term might feel right for now, and can change over time, or it might remain static. It’s all good. Be excellent to each other, and party on, dudes.
Finally, where can people find out more about your work?
Thank you, Nambroth, for participating in this interview and this project. It’s very much appreciated.