Interview: RoAnna Sylver

Today we’re joined by RoAnna Sylver, RoAnna is a phenomenal author, who has authored such books as Chameleon Moon and Stake Sauce. One is a hopeful dystopia involving superheroes and the other involves punk vampires, which sounds awesome. When they’re not writing, RoAnna enjoys visual art and does a lot of digital painting. They have painted most of their own cover art and hope to get into coloring work for comics, including webcomics. It’s clear they’re an incredibly passionate artist with a great drive, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

1. Runtime COver
Runtime cover


Please, tell us about your art.

Hi there! So, most people probably know me by my writing; I write the Chameleon Moon and Stake Sauce series, hopeful-superhero-dystopian and queer-punk-vampire books, respectively. But I’m also an artist, I design and paint the majority of my own covers, and I’d really like to talk more about visual art for a change.

I love digital painting, and find (most of it) really relaxing and soothing, which is very helpful for when my brain goes into nonverbal mode or I’m just feeling burnt out on talking/writing. Which is pretty often.

I’m definitely going to continue painting my own book covers for as long as I can, and have done commissions for a few people too. I love them, and keep meaning to do more. I’d also love to get some work as a colorist for comics (including webcomics) because I find coloring especially relaxing (and I’m good at it darn it!).

One other cool thing, on the subject of ace stuff specifically, I recently had a journal-type article Thing published in The Asexual, about how important representation in mainstream stuff is (and how much I love Todd Chavez from Bojack Horseman). So check that out if you’d like!

What inspires you?

So much. Music, bits of conversation I overhear, people just living their lives. But most of all I think is reading or watching movies and seeing what I’d do differently. Usually, that means “less marginalized people die, and more get to be the heroes.” If that sounds like fix-fic, that’s because it is! I used to write so much fanfiction before I started my own stuff. I STILL DO, but I also used to. (Thanks, Mitch Hedberg!)

Honestly, I hate when people crap on fanworks so much, both art and writing, because not only are they a great starting point (I’ve written more than one thing as essentially fanfiction AUs. I doubt anyone will ever guess which~), but they’re entirely valid works on their own. And they inspire the hell out of me, both writing my own and reading others’.

Also, it’s not as popular to say, but… spite is a hell of a motivator. Wanting to prove people wrong who’ve said I can’t do something, or people like me (queer, disabled, etc.) don’t belong in publishing/the art industry/life. Knowing bigoted assholes hate what I’m doing is an incredible accelerant. Just warms the cockles of my heart, it does.

2. moonbright tides cover with text
Moonbright Tides cover

What got you interested in your field?  Have you always wanted to be an artist?

I joke that I just have a lot of emotions and I need different ways of letting them out—writing, drawing, singing—or I’ll explode. And I’m actually only about 30% joking about that, really. I am blessed/cursed with glorious and overwhelming feels, and if I don’t have an outlet for them, I tend to get paralyzed with…over-feeling. I need to express them like releasing internal pressure with a steam valve.

Unfortunately, I also tend to go nonverbal on a pretty regular basis from any number of reasons (illness flares, pain, various brain weird nonsense) so sometimes I’m physically incapable of writing. But I still have emotion I need to express, or else the pressure just builds up anyway. It doesn’t care that I don’t have words. That’s when the drawing or singing comes in—when writing brain shuts down, art or music brain takes over.

So yeah I guess I have always wanted, and needed, to be an artist.

I used to be a much more physical one, though. I have a degree in dramatic performance and used to do a ton of musical theatre. Nothing comes close to being on stage, and I was convinced that was it for me, that was why I was here and what I was supposed to do with my life. But then I got hit with several debilitating health conditions at once, and never really recovered. I haven’t been on stage in years, and probably will never again. But that’s okay. I still have writing and art, and on an extremely good day, music. Expression is still the most important thing in my life. Without it, I wouldn’t have one.

3. BNUH cover
But Not Up Here cover

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

For my writing, the Themes are definitely found family, queer and disabled people kicking ass, and trauma healing… the ‘secret symbols’ tend to be really nerdy references. Usually Star Trek and/or Greek myth. Go figure.

For art, I don’t really have a watermark or anything, though I’ll usually sign a major work. Trademark-wise though, I love the idea of making digital art look as traditional as possible, so if you look at something and think it’s an actual watercolor and not a digital one, I’ve done my job right~

What advice would you give young aspiring artists?

For commissions, figure out about how long it takes you to do a thing. Timing yourself/logging time is good. Then find out the minimum wage for your state and charge *at least* that per hour.

I saw a really good tweet a while ago saying you should charge at least 3x minimum wage for commissioned art, because 1) it’s your time and energy, 2) art is a specialized skill that you’re applying to this individual request, not a standard product, and 3) you’re your own boss here and paying for your own materials/food/life.

I don’t know if I could ever do that, but I’m sticking to At Least Minimum Wage for myself. I still feel a lot of guilt (as I do asking for money ever even if I’ve worked for it) but honestly, selling your stuff for super cheap really does devalue the whole market and cheats both you and other artists out of hard earned cash. I know it’s different when you’re just starting out and trying to get established, but really, once you are… your efforts are worth so much more than the bare minimum, but that’s a place to start.

4. ev merm
Evelyn merm


Where on the spectrum do you identify?

Biromantic ace, and definitely on the aro spectrum too. It took me a long time to figure this out, in all its maybe-seemingly-contradictory glory. I’ve never really experienced sexual attraction to a (real) person. (“Real” because there are some fictional characters who could get ittttt) But I’m romantically attracted to women, agender, and nonbinary people… but like I said, definitely aro-spec too, so this happens much less than you’d think. Polyamorous too; I have queerplatonic partners as well as one romo partner~

In short, “potentially attracted to a lot of people on paper, but not in practice!”  It’s one of those “sounds very complicated, is actually very simple” things. Except for when it actually is very complicated. (What the hell is attraction? I don’t know it.)

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

…Never so much as during Pride Month. It’s really sad, but entirely true. Usually I manage to stay away from the Ace Discourse and keep it to a dull roar in the background of my life, but whenever the spotlight is on The Queer Community in general, that ugly particular head rears once again, and it’s very hard to avoid.

But there’s social media Discourse (harmful on its own) and then there’s creative field prejudice or ignorance, and that’s arguably even more annoying and damaging. Luckily, most of mine has been confined to the occasional shitty comment about my work. I generally don’t read reviews, but sometimes someone will point one out to me that’s particularly… not bad in a ‘didn’t like the book’ sense (I don’t care about those, for real), but a ‘wow, this is a dangerous and bigoted viewpoint actually.’

When people “can’t relate” to asexual (and aromantic, and neurodivergent, disabled, any other marginalization) characters, that tells me right there that I’m not going to be able to trust them. If someone slams a book or marginalized character for displaying characteristics of their marginalization (mentally ill people will act mentally ill; ace people will act ace), and dislike them specifically for what makes them them… that’s a Red Flag right there.

I don’t really “handle” that. I don’t comment (and you shouldn’t either, ever), but I take notice of who said the bigoted thing, and remember. Then I keep writing.

5. goliath elisa
Goliath Elisa

What’s the most common misconception about asexuality that you’ve encountered?

Oh lord, the aro/ace conflation thing. Where people think “asexual” means “aromantic,” and “aromantic” means “what is that, I don’t know what that is, how is that even a thing.” You can absolutely be asexual without being aro, or aro without ace, or a blend of the two that fluctuates over time and you have no interest in categorizing.

The most common individual misconceptions are definitely the “unfeeling, inhuman, dead/lifeless, passionless, robotic, forever alone” ones, because surely it’s romantic love and sex that makes us human, not anything else. Nope, that’s it, that’s the most important “universal” experience. Ever notice how it’s usually the same people who scream “don’t reduce our identities to one thing/define us by that!” Who then go on to do exactly that for others? There’s a lot of TERF overlap here too.

I have to say though, the special poison aimed at allo aromantic people is really something else; apparently just by being sexually but not romantically attracted to someone, you’re a horrible abuser/predator. (This is, of course, not true, and there are such things as attractions and bonds that are not romantic. The small-minded tunnel vision is exhausting.)

So yeah, there’s a lot, and I have absolutely no interest in getting involved in Discourse of any kind anymore. No spoons left for that at all.

6. Zenith Sheet
Zenith Sheet

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

There’s nothing wrong with you, first off. You might feel like there is, and people might decide to be gigantic asshats and say that there is, but there isn’t. There isn’t, regardless of how you end up identifying, even if that’s not ace at all. Try different identities out like clothes until you find one that fits. If none do, keep trying, or throw them out. It’s your “body,” and your identity and life. Use what serves you and makes you happy, not what someone else wants you to.

You’ll know when it’s right. When I finally hit on exactly what my gender and attraction type was, it felt like releasing every clenched muscle all at once. My constant, constant anxiety was silent for once, the panic in my head finally shut up. It was the absence of strain and exhaustion and tension and fear that was shocking. I hope it feels like that for you. The cessation of pain is a hell of a drug, and we don’t get it nearly enough.

Also, you’re totally queer if you want to be. If someone says you aren’t because you’re ace or aro, that person is not your friend. You don’t HAVE to identify as queer, the way some nonbinary people don’t identify as transgender, but you absolutely can, and screw anyone who says otherwise. (Or don’t. Especially if you’re sex-repulsed. *weak rimshot*)

Finally, where can people find out more about your work?

I have an Artstation portfolio over here (if you need a colorist and/or inker, talk to me!) –

All of my books are on Amazon –

And most are available through other places like B&N and Kobo, which you can find at their universal links at my Draft2Digital page –

But by far the best place to support me is my Patreon. For as little as $1 a month, you can get Tons of Chameleon Moon bonus content—advance stories, art, lots of stuff—and exclusive looks at what I’m doing next (Like my upcoming interactive fiction portal-fantasy romance, Dawnfall for Choice of Games)! And also make me a little more secure as a disabled creator.

Stake Sauce/Death Masquerade also has one over here, for if you enjoy monthly fiction about queer vampires!

Also, if you want to say hi on Twitter, I’m at RoAnnaSylver!

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Nonbinary Fire Witch, Zadkiel

Thank you, RoAnna, for participating in this interview and this project. It’s very much appreciated.

Interview: Montiese McKenzie

Today we’re joined by Montiese McKenzie. Montiese is a phenomenal author who recently published her first novel entitled Blood of my Blood (congratulations!). It’s a supernatural thriller with a fascinating plot involving a mysterious disappearance and a hidden world deep in the nation’s capital. Montiese’s 2nd novel will be released in January.  It’s clear she’s an incredibly talented author with a great voice and I can’t wait to read what she has in store next. My thanks to her for taking the time to participate in this interview.

me at comic con


Please, tell us about your art.

I’m a writer. I write fiction and just self-published my first book, Blood of my Blood. I’ve been writing since I was eight years old, spent my teen years writing stories instead of paying attention in school. In 2005, in my late twenties, I discovered fanfiction and began to write for a few different fandoms over the years. I still dabble in fanfic, it’s always been a great way to hone your skills. My goal has always been get your stories out to as many readers as you can, it didn’t matter if it was original stories or fanfiction.

What inspires you?

People. One of my biggest goals in writing is to get to the center of people. Human beings are so complicated, with more dimensions and facets than you can count. My inspiration from them is limitless really. Especially when you add in people interacting with other people, which is what storytelling is all about. Also, I grew up on soap operas so multilayered stories with large ensemble casts are my weakness.

What got you interested in your field?  Have you always wanted to be an artist?

I started writing at 8, which is pretty young. It was an assignment in my 4th grade class to write a story. We actually made our own books, stories, covers, bindings, everything. The only thing I ever truly wanted to be before that was a nature photojournalist for National Geographic, which is a pretty creative job. Both of my parents are artists, my mother wrote stories and my dad is a graphic artist and musician so I guess I came by it honest.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Even though I was born at the end of the 70s, I grew up on things from the 70s and before so there are lots of references to those things in my stories. Television, books, and movies. Most of the characters I write are older than me so it fits in with who they are as people. But there are times when I get emails or messages from younger readers who may not understand a reference. I love teaching people about the stuff I love so it’s cool. Golden age of Hollywood and 70s television pop culture references are really my favorite thing.

What advice would you give young aspiring artists?

Hone your skills with lots of practice and school if that’s possible for you. Don’t let the bad voices shout you down, they will always be there, but also get used to constructive criticism early. That took me forever and I still struggle with it because I spent so long not sharing my work, when I finally did some reactions to it were difficult for me. If you’re a writer, read as much as you can. There is no lesson more fulfilling than a good book. Find a creative tribe and help each other grow, learn, and take the knocks life as a creative can dole out. Never, ever give up on your art if you love it.

me blackout 10


Where on the spectrum do you identify?

Grey ace. I’m somewhere in the middle, which is kind of the story of my life. I identify as a biromantic gray asexual. I love and appreciate romance but rarely, if ever, feel sexual attraction. For a long time I didn’t know what that meant, I think sexual attraction is a hard thing to measure when you start talking about romantic attraction, physical attraction, aesthetic attraction; it took me a long time to divide and define those things and I actually still work on it.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Some people have asked me how I can write sex and romance if I’m asexual. I get that more than I ever expected and it boggles my mind. I’m a writer, I just make it up though I do try to keep the core of my characters steeped in the reality of how most humans are. Also being creative allows me to tap into what a fictional person is feeling or experiencing completely separate from myself. I’m not writing my life, I’m writing someone else’s.

What’s the most common misconception about asexuality that you’ve encountered?

That something is wrong with us. For so long we’ve been taught that sexual intercourse is a basic need, like food, water, and sleep. So when people encounter someone who doesn’t feel or experience sexual attraction, they wonder (sometimes aloud) if it is a mental or medical condition. They wonder “who hurt you?” They should be more concerned with why the patriarchy insists sex is a basic need.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Get to know yourself and don’t let anyone label you. I didn’t come out as bisexual until 2009 and asexual in about 2015. It took a long time to put words to what I experienced and felt (or didn’t feel). I would tell them to live, experiment, have many different kinds of friends, and do what makes your body and spirit happy. Don’t be in a rush to declare that you are anything, for so many sexuality is fluid over a lifetime.

Finally, where can people find out more about your work?

I have a blog,, which I promise I’ll be doing more blog entries on in 2018. My first novel, Blood of my Blood, was self-published through Amazon in September 2017. It’s currently available in both eBook and paperback. My second novel, The Providence of Human Affairs will be released in January 2018. This is the link to my first book:

Thank you, Montiese, for participating in this interview and this project. It’s very much appreciated.