Interview: Minerva Cerridwen

Today we’re joined by Minerva Cerridwen. Minerva is a phenomenal SFF author and visual artist. For writing, she has a story published in Unburied Fables and recently released her novella, The Dragon of Ynys (which features an aro-ace main character). Visual art is more of a hobby for her, though she does do commissions. Minerva does handlettering and draws, using traditional mediums such as pencils and ink. It’s clear she’s a very passionate and dedicated artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

01 Bianca (own character) - pencil - 2017
Bianca (own character)


Please, tell us about your art.

I’ve always loved writing, and to my great joy I can call myself a published author these days. I mainly write fantasy and science fiction and sometimes dabble in poetry and horror. So far I’ve got a short story in the queer fairy tale anthology Unburied Fables and my debut novella, The Dragon of Ynys, came out in May 2018.

The Dragon of Ynys is a light fantasy tale suitable for all ages, starring aro/ace main character Sir Violet, the knight of Ynys. He helps Holly, a trans woman, to find her missing wife, the baker. They suspect the ever-thieving dragon who lives near the village might have something to do with her disappearance…

02 Cover for 'The Dragon of Ynys' by Kirby Crow
Cover for ‘The Dragon of Ynys’ by Kirby Crow

I also love drawing and handlettering, using traditional materials—mainly because I haven’t had the time yet to learn more about digital art. I like to experiment with different techniques: I’ve been using pencils, watercolour, brushmarkers and ink, both for original works and fanart. I wouldn’t mind taking this to a professional level someday, but so far I’ve mainly been drawing for myself and my friends.

What inspires you?

I grew up with fairy tales, both the ones my mother read to me as a child and all the Disney movies I watched so many times. It’s no wonder that I love writing fairy tales myself. However, the big difference with the tales I consumed at a young age is that there will always be queer characters in my stories. It’s so important to be able to relate to characters when you’re trying to figure out your own identity, and I feel like it took too long before I finally experienced that moment myself. Once you’ve seen your identity validated in popular media, it’s so much easier to accept who you are, rather than to believe those who say you can’t feel the way you feel or be the way you are.

I hope that my writing will make it easier for future generations to find stories that tell them they’re not alone, not broken, and that teach them acceptance towards others as well. In that light, I write the stories that I would love to read myself, with all the dragons and magic and hopefully wittiness that I adore in the works of Pratchett, Rowling, Tolkien and other masters.

For more specific inspiration, my friend Fie and I started a project in 2013, inspired by Erin Morgenstern’s Flax-golden Tales. Every week, she took a picture for which I wrote a ten-sentence story. These days we’ve dialled it down to two photo-story combinations per month, but Paranatellonta is still going strong after five years! Getting random prompts from friends is a great way to stay inspired at all times.

When it comes to visual art, getting an Instagram account has definitely done wonders. There are a lot of awesome artists out there whose samples inspired me to try new techniques. Every month there are challenges going around in different themes, for any kind of art actually, but in my case those mainly influenced my handlettering. Practice really helps! I also finished Inktober last year. It once again proved that an inspiring prompt doesn’t need to be more than one word or one image. You can see my Inktober drawings if you scroll down a little on my Instagram.

What got you interested in your field? Have you always wanted to be an artist?

I’ve been telling stories for as long as I can remember. As I said, my mother read fairy tales to me from a young age, and once I learned to read myself, my greatest joy was to discover more fun stories. There were never enough of them, so it only made sense that I wrote down my own as soon as I could. Surrounded by those fictional adventures, somewhere deep inside I knew what adventure I wanted to have myself, even when I was five years old: I wanted to be an author, like those wonderful people who’d given me all those beautiful tales to enjoy.

My drawing story is completely different. For a very long time I was convinced I couldn’t draw at all. I just didn’t have the talent. Looking back at art class in school, I feel like they never stressed the importance of studying references enough. I was always doodling in my school books for fun, but it never felt like that counted.

Fast-forward to when I’d finished university and my parents were celebrating their 25th wedding anniversary. I didn’t have much gift inspiration, and they joked about a “grown-up” child making a drawing for their parents—and the fact it was a joke tells you enough about how much the arts are respected unless you’re a Big Name. I often feel like our society expects people either to be a grand artist or talentless, and the fact that there must be a learning process in between is often completely neglected.

Anyway, I went through with it, and as I was drawing my parents from a reference photo, it turned out pretty okay (especially considering it was supposed to remind them of a child’s drawing). Most important of all, I had a lot of fun working on it. I’d been looking at a lot of art online since I’d last taken up a pencil, and combined with using a reference for the first time, I could see I’d massively improved since my last school drawing years earlier.

From that point on I let my more artsy friend Fie convince me to take part in courses on Skillshare to improve my drawing techniques and handlettering. Now, almost five years after that anniversary drawing, I actually feel like I’ve made some pretty things!

03 Fiery Mushroom - brush markers - 2017
Fiery Mushroom (brush markers)

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

As I mentioned above, you’ll find many fairy tale elements and queer characters in my writing. More specifically, you’ll encounter a lot of dragons and spiders. The dragons are a more conscious choice than the spiders, who just always happen to show up… Just like in real life, I suppose.

I don’t think I have any recurring elements in my visual art, but I’ve been using a signature since late 2016. It’s made up of the initials of both my pen name and legal name.

What advice would you give young aspiring artists?

I think it’s an important message that you can always learn and improve. That’s something I only truly learned from starting to draw. I’d always been “born” a writer: I started at a very young age and people told me I was talented. But I had to work to become better at visual art, and that made me realise that the reason why I’d loved writing all my life was that I’d been exposed to so many stories to learn from. Having played with words from a very young age, stories had never been the big “mystery” that a beautiful piece of art was. So what I mean to say is: people aren’t born a Grand Artist. They become them. And going down into history means you’ve worked hard, but also that you were lucky (or, in some cases, unlucky) enough to have your name picked up and talked about. But that luck, too, is something you can influence by promoting your work. Like doing interviews on awesome websites. 😉

04 Space Ace 2 for Tanouska - watercolour - 2018
Space Ace 2 (watercolour)


Where on the spectrum do you identify?

I’m asexual and somewhere on the aromantic spectrum, but I usually go with “aro-spec” rather than a more specific label, because it’s difficult for me to figure that one out.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

There’s certainly a lot of ignorance. Even in some queer organisations, it seems the A’s are often forgotten. I can only hope that my stories will spread more knowledge, while still being entertaining rather than feeling like a lecture.

05 Violet - ink - 2018
Violet (ink)

What’s the most common misconception about asexuality that you’ve encountered?

That asexuality would mean you never have sex. It can mean that, and I guess it does for me. There’s certainly nothing wrong with a life without sex. But for sex-positive aces it makes things all the more confusing to figure out their orientation when people keep asking: “But you’ve enjoyed having sex, how can you be ace?”

Aside from that, I think that asexuality and aromanticism are too often considered the same thing. This also makes it hard to find a label that fits you when you do experience romantic attraction but no sexual attraction, or the other way round. When different sources tell you that you need to feel things a certain, very specific way in order to identify as ace or aro, it can be a long search to find a label that fits. And of course not everyone needs to label their orientation, but in my own experience finding the names and other people who used them certainly helped to stop thinking I might be broken or wrong.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

You’re not alone and you’re not broken. For me it was a massive help to enter queer spaces (in my case on Tumblr) and read experiences from other queer people. It made me discover terms (like asexual and aromantic) which I’d never heard of before I made a Tumblr account almost 10 years ago. It showed me that they weren’t some kind of theoretical concept, but a whole spectrum of people who experienced things in different ways—and some of their experiences were just like mine! Suddenly I was no longer “the weird one”. Which actually took me some time to adapt to, because I’d become quite used to being “just odd” and labelling myself that way 😛

However, in the long run, learning about all flavours of queer (be it through books, blogs, or directly talking to others) taught me to be more open-minded in general and made me more comfortable with myself.

Finally, where can people find out more about your work?

My website is There you find everything about both my writing and drawings, with links to my social media. Feel free to follow me!

Paranatellonta, a flash fiction project inspired by my friend’s photography, can be found at It updates twice a month and you can read all the stories and see all the pictures for free.

My visual art can be found here: I’m posting pretty much everything I draw on Instagram, showing my learning process with both the pieces that worked out and the ones that didn’t. Mainly because I find it interesting to track my own evolution and learn from that in turn!

Other places you can find me:


And places to buy my stories:

– The Dragon of Ynys (Publisher | List of other retailers)
– Unburied Fables (Amazon)

06 Cats Rule the World for Ether - watercolour - 2017
Cats Rule the World (watercolour)

Thank you, Minerva, for participating in this interview and this project. It’s very much appreciated.

Interview: RoAnna Sylver

Today we’re joined by RoAnna Sylver, RoAnna is a phenomenal author, who has authored such books as Chameleon Moon and Stake Sauce. One is a hopeful dystopia involving superheroes and the other involves punk vampires, which sounds awesome. When they’re not writing, RoAnna enjoys visual art and does a lot of digital painting. They have painted most of their own cover art and hope to get into coloring work for comics, including webcomics. It’s clear they’re an incredibly passionate artist with a great drive, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

1. Runtime COver
Runtime cover


Please, tell us about your art.

Hi there! So, most people probably know me by my writing; I write the Chameleon Moon and Stake Sauce series, hopeful-superhero-dystopian and queer-punk-vampire books, respectively. But I’m also an artist, I design and paint the majority of my own covers, and I’d really like to talk more about visual art for a change.

I love digital painting, and find (most of it) really relaxing and soothing, which is very helpful for when my brain goes into nonverbal mode or I’m just feeling burnt out on talking/writing. Which is pretty often.

I’m definitely going to continue painting my own book covers for as long as I can, and have done commissions for a few people too. I love them, and keep meaning to do more. I’d also love to get some work as a colorist for comics (including webcomics) because I find coloring especially relaxing (and I’m good at it darn it!).

One other cool thing, on the subject of ace stuff specifically, I recently had a journal-type article Thing published in The Asexual, about how important representation in mainstream stuff is (and how much I love Todd Chavez from Bojack Horseman). So check that out if you’d like!

What inspires you?

So much. Music, bits of conversation I overhear, people just living their lives. But most of all I think is reading or watching movies and seeing what I’d do differently. Usually, that means “less marginalized people die, and more get to be the heroes.” If that sounds like fix-fic, that’s because it is! I used to write so much fanfiction before I started my own stuff. I STILL DO, but I also used to. (Thanks, Mitch Hedberg!)

Honestly, I hate when people crap on fanworks so much, both art and writing, because not only are they a great starting point (I’ve written more than one thing as essentially fanfiction AUs. I doubt anyone will ever guess which~), but they’re entirely valid works on their own. And they inspire the hell out of me, both writing my own and reading others’.

Also, it’s not as popular to say, but… spite is a hell of a motivator. Wanting to prove people wrong who’ve said I can’t do something, or people like me (queer, disabled, etc.) don’t belong in publishing/the art industry/life. Knowing bigoted assholes hate what I’m doing is an incredible accelerant. Just warms the cockles of my heart, it does.

2. moonbright tides cover with text
Moonbright Tides cover

What got you interested in your field?  Have you always wanted to be an artist?

I joke that I just have a lot of emotions and I need different ways of letting them out—writing, drawing, singing—or I’ll explode. And I’m actually only about 30% joking about that, really. I am blessed/cursed with glorious and overwhelming feels, and if I don’t have an outlet for them, I tend to get paralyzed with…over-feeling. I need to express them like releasing internal pressure with a steam valve.

Unfortunately, I also tend to go nonverbal on a pretty regular basis from any number of reasons (illness flares, pain, various brain weird nonsense) so sometimes I’m physically incapable of writing. But I still have emotion I need to express, or else the pressure just builds up anyway. It doesn’t care that I don’t have words. That’s when the drawing or singing comes in—when writing brain shuts down, art or music brain takes over.

So yeah I guess I have always wanted, and needed, to be an artist.

I used to be a much more physical one, though. I have a degree in dramatic performance and used to do a ton of musical theatre. Nothing comes close to being on stage, and I was convinced that was it for me, that was why I was here and what I was supposed to do with my life. But then I got hit with several debilitating health conditions at once, and never really recovered. I haven’t been on stage in years, and probably will never again. But that’s okay. I still have writing and art, and on an extremely good day, music. Expression is still the most important thing in my life. Without it, I wouldn’t have one.

3. BNUH cover
But Not Up Here cover

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

For my writing, the Themes are definitely found family, queer and disabled people kicking ass, and trauma healing… the ‘secret symbols’ tend to be really nerdy references. Usually Star Trek and/or Greek myth. Go figure.

For art, I don’t really have a watermark or anything, though I’ll usually sign a major work. Trademark-wise though, I love the idea of making digital art look as traditional as possible, so if you look at something and think it’s an actual watercolor and not a digital one, I’ve done my job right~

What advice would you give young aspiring artists?

For commissions, figure out about how long it takes you to do a thing. Timing yourself/logging time is good. Then find out the minimum wage for your state and charge *at least* that per hour.

I saw a really good tweet a while ago saying you should charge at least 3x minimum wage for commissioned art, because 1) it’s your time and energy, 2) art is a specialized skill that you’re applying to this individual request, not a standard product, and 3) you’re your own boss here and paying for your own materials/food/life.

I don’t know if I could ever do that, but I’m sticking to At Least Minimum Wage for myself. I still feel a lot of guilt (as I do asking for money ever even if I’ve worked for it) but honestly, selling your stuff for super cheap really does devalue the whole market and cheats both you and other artists out of hard earned cash. I know it’s different when you’re just starting out and trying to get established, but really, once you are… your efforts are worth so much more than the bare minimum, but that’s a place to start.

4. ev merm
Evelyn merm


Where on the spectrum do you identify?

Biromantic ace, and definitely on the aro spectrum too. It took me a long time to figure this out, in all its maybe-seemingly-contradictory glory. I’ve never really experienced sexual attraction to a (real) person. (“Real” because there are some fictional characters who could get ittttt) But I’m romantically attracted to women, agender, and nonbinary people… but like I said, definitely aro-spec too, so this happens much less than you’d think. Polyamorous too; I have queerplatonic partners as well as one romo partner~

In short, “potentially attracted to a lot of people on paper, but not in practice!”  It’s one of those “sounds very complicated, is actually very simple” things. Except for when it actually is very complicated. (What the hell is attraction? I don’t know it.)

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

…Never so much as during Pride Month. It’s really sad, but entirely true. Usually I manage to stay away from the Ace Discourse and keep it to a dull roar in the background of my life, but whenever the spotlight is on The Queer Community in general, that ugly particular head rears once again, and it’s very hard to avoid.

But there’s social media Discourse (harmful on its own) and then there’s creative field prejudice or ignorance, and that’s arguably even more annoying and damaging. Luckily, most of mine has been confined to the occasional shitty comment about my work. I generally don’t read reviews, but sometimes someone will point one out to me that’s particularly… not bad in a ‘didn’t like the book’ sense (I don’t care about those, for real), but a ‘wow, this is a dangerous and bigoted viewpoint actually.’

When people “can’t relate” to asexual (and aromantic, and neurodivergent, disabled, any other marginalization) characters, that tells me right there that I’m not going to be able to trust them. If someone slams a book or marginalized character for displaying characteristics of their marginalization (mentally ill people will act mentally ill; ace people will act ace), and dislike them specifically for what makes them them… that’s a Red Flag right there.

I don’t really “handle” that. I don’t comment (and you shouldn’t either, ever), but I take notice of who said the bigoted thing, and remember. Then I keep writing.

5. goliath elisa
Goliath Elisa

What’s the most common misconception about asexuality that you’ve encountered?

Oh lord, the aro/ace conflation thing. Where people think “asexual” means “aromantic,” and “aromantic” means “what is that, I don’t know what that is, how is that even a thing.” You can absolutely be asexual without being aro, or aro without ace, or a blend of the two that fluctuates over time and you have no interest in categorizing.

The most common individual misconceptions are definitely the “unfeeling, inhuman, dead/lifeless, passionless, robotic, forever alone” ones, because surely it’s romantic love and sex that makes us human, not anything else. Nope, that’s it, that’s the most important “universal” experience. Ever notice how it’s usually the same people who scream “don’t reduce our identities to one thing/define us by that!” Who then go on to do exactly that for others? There’s a lot of TERF overlap here too.

I have to say though, the special poison aimed at allo aromantic people is really something else; apparently just by being sexually but not romantically attracted to someone, you’re a horrible abuser/predator. (This is, of course, not true, and there are such things as attractions and bonds that are not romantic. The small-minded tunnel vision is exhausting.)

So yeah, there’s a lot, and I have absolutely no interest in getting involved in Discourse of any kind anymore. No spoons left for that at all.

6. Zenith Sheet
Zenith Sheet

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

There’s nothing wrong with you, first off. You might feel like there is, and people might decide to be gigantic asshats and say that there is, but there isn’t. There isn’t, regardless of how you end up identifying, even if that’s not ace at all. Try different identities out like clothes until you find one that fits. If none do, keep trying, or throw them out. It’s your “body,” and your identity and life. Use what serves you and makes you happy, not what someone else wants you to.

You’ll know when it’s right. When I finally hit on exactly what my gender and attraction type was, it felt like releasing every clenched muscle all at once. My constant, constant anxiety was silent for once, the panic in my head finally shut up. It was the absence of strain and exhaustion and tension and fear that was shocking. I hope it feels like that for you. The cessation of pain is a hell of a drug, and we don’t get it nearly enough.

Also, you’re totally queer if you want to be. If someone says you aren’t because you’re ace or aro, that person is not your friend. You don’t HAVE to identify as queer, the way some nonbinary people don’t identify as transgender, but you absolutely can, and screw anyone who says otherwise. (Or don’t. Especially if you’re sex-repulsed. *weak rimshot*)

Finally, where can people find out more about your work?

I have an Artstation portfolio over here (if you need a colorist and/or inker, talk to me!) –

All of my books are on Amazon –

And most are available through other places like B&N and Kobo, which you can find at their universal links at my Draft2Digital page –

But by far the best place to support me is my Patreon. For as little as $1 a month, you can get Tons of Chameleon Moon bonus content—advance stories, art, lots of stuff—and exclusive looks at what I’m doing next (Like my upcoming interactive fiction portal-fantasy romance, Dawnfall for Choice of Games)! And also make me a little more secure as a disabled creator.

Stake Sauce/Death Masquerade also has one over here, for if you enjoy monthly fiction about queer vampires!

Also, if you want to say hi on Twitter, I’m at RoAnnaSylver!

7. zadkiel_2
Nonbinary Fire Witch, Zadkiel

Thank you, RoAnna, for participating in this interview and this project. It’s very much appreciated.

Interview: Isis E. Prosser

Today we’re joined by Isis E. Prosser. Isis is a phenomenal writer and jewelry maker who I met at Indy PopCon. I was blown away by the gorgeous jewelry she made and then she told me about the web novel she was working on entitled Lamenting City (chapters are posted on her main blog: Not only does it sound positively fascinating, but it’s an ownvoices work. The main character of the series is an ace lesbian named Axel and there are also two minor asexual characters. I highly recommend checking it out. It’s clear she’s a dedicated and passionate author, as you’ll soon read. My thanks to her for taking the time to participate in this interview.


Please, tell us about your art.

I’m a writer and a jewelry maker. When it comes to my writing, I tend to focus on humour and emotions, lots of humour and emotions. Sometimes I write purely humourous stories and sometimes I write purely emotional (whether angsty or uplifting) stories. Longer stories tend to swing between both extremes and I like to think the more I write, the better I become at blending the two together. I write a mix of fanfiction and original stuff, and I’m also not the greatest at updating either in a timely fashion (sorry!), but I am trying and getting better at that.

My jewelry is something I also do with my mom (she’s my teacher!) and currently I’m focusing on Pride jewelry and fandom jewelry (currently, Harry Potter-inspired pieces with some My Little Pony: Friendship is Magic-inspired pieces coming…. eventually). I’m very new to this craft.

In the future I’d like to make video games, too. I’ve written scenarios/concepts and dabbled a little in RPG Maker over the years, but haven’t yet finished a thing. Maybe one day soon I’ll have something to show. In the meantime it’s likely the characters of those ideas will be introduced in short stories or novels.

I’m very passionate about storytelling in general.

What inspires you?

Many, many things! From real life experiences to other fiction, and to the beauty of the natural world and that of architecture, as well as mythology (Egyptian mythology is my fave). I’ve also been inspired by vivid dreams I’ve had. And my inspirations tend to shine through in my work, whether original or fanfiction. For example, my current web novel project, Lamenting City, was initially inspired by a dream I had that came about when I was marathoning every Zoids anime with a friend. The dream introduced me to Axel and offered a tantalizing glimpse of her world, and afterwards I knew I had to write it. And often times I’ll have scenes or entire stories inspired by music I listen to.

When it comes to jewelry, I tend to find inspiration looking at gemstones or browsing jewelry supply shops. Sometimes I also get inspiration from media, hence the Harry Potter bracelets.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve wanted to be writer for as long as I can remember. I’m not entirely sure where it started, but I know it did start in some form with kid me’s obsession with Beatrix Potter’s stories and later stuff like OT Star Wars and Disney’s Gargoyles. I would also read a lot and then read some more, and the more I read, the more I wanted to write.

As time went on, I also noticed more and more that there weren’t a lot of characters like me in fiction. There weren’t a lot of diverse characters and author voices in general. So, a lot of my writing is me creating the stories and characters I wanted to see, and to give myself a voice.

With jewelry, I played around with plastic beads as a child but then the hobby faded for many years. Earlier this year I got interested in it again after looking at pride jewelry and deciding I could make the types of bracelets I wanted… and then a lightbulb turned on and I realized that, hey, if I wanted jewelry like this, other LGBTQIANP+ folks might want it, too. And then my love for fandom made me start slowly getting into making fandom jewelry as well.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Well, looking at my writing as of 2015, dream and nightmare sequences seem to be a pretty big thing. They appeared in my (currently unposted) Metroid fic that I wrote for my first NaNoWriMo (2015), appeared again in my Camp NaNoWriMo project, a Legend of Spyro fanfic (I haven’t yet posted the chapter with the first dream sequence however), and then they’ve appeared in every NaNo project since…

I find dream and nightmare sequences really fun to write. They’re a good way to explore the character’s mind without having to worry about realism or even my own canon.

In general, I like to use dreams/nightmares to introduce concepts and foreshadowing in ways that (hopefully) aren’t immediately obvious.

With my jewelry, it’s a bit hard to say since it’s all so new to me. But I like to add a touch of whimsy to everything I create!

What advice would you give young aspiring artists?

To not be discouraged, and to get your art out there. It can be very daunting, yeah, I’ve been there (and in many ways still am), but your voice is needed. Perhaps some people won’t get your story, but for the people who do, it could mean the world.

Understand that you have room to grow, but to also be you. Improve and become the best you.


Where on the spectrum do you identify?

Homoromantic/demiromantic asexual. Also sex-repulsed.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

More times than I’d like to count, especially offline. I try to clarify things for people who simply don’t know, but find it’s easier on my mental health to avoid actually prejudiced people who are unlikely to change their mind. Sometimes both of those things are easier said than done.

What’s the most common misconception about asexuality that you’ve encountered?

The most common seem to be “Asexuals are incapable of love in any form” and “Asexuals can’t have sex/be sex positive”. Trying to correct either misconception isn’t usually a fun time for me, especially the latter (where being a sex-repulsed ace with no intention of having sex gets thrown back in my face as if it’s some kind of gotcha).

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

That you’re not broken, and that you’re ace enough.  You’re loveable and amazing as you are, and there’s nothing to be ashamed of.

Finally, where can people find out more about your work?

My main home of operation is on my website/blog:

There I post short stories, chapters of Lamenting City, and blog posts where I yell about video games and music.

And while there’s not as much content as I’d like (I’m working on it!), you can find my newer fanfiction on AO3:

I will be updating my Legend of Spyro fic (well, the first one) soon and will be adding a Metroid fic and a Star Wars fic at some point this year. I like many fandoms!

And you can check out my jewelry here:

More designs coming soon!

Thank you, Isis, for participating in this interview and this project. It’s very much appreciated.

Interview: Sayle Owen

Today we’re joined by Sayle (pronounced Say-lee) Owen. Sayle is a phenomenal author who is just starting out. She has already accomplished quite a lot. Sayle has won several awards and has completed two novels and two novellas. It’s clear she’s an incredibly passionate author with a very bright future ahead of her, as you’ll soon read. My thanks to her for taking the time to participate in this interview.



Please, tell us about your art.

My “art” is the words, specifically in English. Currently, I’ve got several Scholastic Awards to my name (three of them Silver Keys), and have completed four (with a fifth to be finished by July) books, three novellas and two full-length novels. The two novels are called Elemental and Tamer, 132,000 and 51,000 words respectively. The two complete novellas, The Vanished Princesses and The Silver Flame, are both around 20,000 words. The fifth book, a novella, is not yet complete and nameless, but I estimate it will also be around 20,000 words. All of those books (in addition to lots of other uncompleted ones) are part of one extended universe I call the Elemental Spiral (with Elemental and its sequel being the main series and the other books being side stories). And since this interview is about Ace creators, I feel it appropriate to mention that the two lead protagonists of Elemental, Selene and Klaus, are both ace themselves (though I didn’t realize that until over a year after it was finished, as I discovered my own aceness after it was completed and it wasn’t until I was editing Elemental I realized it. Additionally, I’ve written a handful of short stories and poetry that I’m willing to share.

What inspires you?

The entire world around me. Literally, anything I see, hear, or do may become a part of a story. But specifically, Tamora Peirce is literally my writing hero. She is a goddess among writers and I adore her work to no end (and may or may not own every book she’s ever written).

What got you interested in your field?  Have you always wanted to be an artist?

I’ve wanted to be a writer since second grade, when I first read the Harry Potter series. However, it wasn’t until my freshman year of high school (after discovering Tamora Peirce, with the addition of having the most amazing Honors English teacher) that I became serious about my desire to be an author by actually starting to write. My draw to it is a couple of reasons. Mainly, I love creating something that is different from my reality. Being able to control the details (control being used loosely, as characters really do have a mind of their own) and craft stories to entertain others (and myself) is such a wonderful feeling.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I honestly work with a lot of color symbolism in Elemental, specifically with the colors of silver, gold, and other colors like bronze, copper, and violet. I do have one symbol, a specific kind of six-pointed star (with a very set pattern to create it) where each point has a certain element it represents—air, water, fire, earth, spirit, and soul. Additionally, I like working with different kinds of magic within my universe of the Elemental Spiral.

What advice would you give young aspiring artists?

It won’t be easy. There will be times when you can crank out thing after thing and then it will be followed by a month of inactivity. But don’t give up. If you’ve got a lot of WIPs, choose the one that is most important and stick with it. Sure, start other things to get them out of your head, but keep going back to the one. There’s very little that is more satisfying than finishing something that took you two and a half years to complete (*cough*Elemental*cough*). It’s so worth it.


Where on the spectrum do you identify?

As far as I can tell, 100% ace. Not necessarily repulsed, but just totally not interested. Of course, I could be grey-ace, but I’ve never found a guy who would make that come to light. So until then, if it ever happens, I’m Ace to the max.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

My dad and stepmother don’t believe it’s a thing, and the few times I’ve tried to bring it up its lead to long conversations (read: them talking at me) about how it’s natural to have a sex drive and how I shouldn’t be emotionally cutting myself off and whatnot. But I just stopped bringing it up. It’s not like being ace really affects anything (not that I’m straight, highly religious, conservative, that fact that I love writing) other than making me come off as more mature than other people my age. I’m comfortable in my asexuality, and my parents (though my mom does know and just doesn’t care much) not believing it’s real or of the devil or whatever doesn’t really change that. It’s all about having confidence that you know yourself better than anyone else.

What’s the most common misconception about asexuality that you’ve encountered?

People seem to keep confusing it with Aromantisicm. Like, I can still feel plenty of emotional/romantic attraction, but I have to explain the difference between love and lust a lot. Like dude, I’m ace, not aro.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Don’t feel obligated. You are the one who decides what your orientation is. In the long run, the only reason it matters is so you can feel more comfortable with yourself. For me, I discovered that I was ace literally the day before my senior year of high school (Labor Day 2017). I heard someone talking about it and (writer that I am) decided to research it. Suddenly, a lot of things about myself made sense—how I thought/acted growing up, the lack of caring about sex most teens seem to think about, etc. It’s not an obligation to figure it out. Sure, it’s nice having a name for things, but if you think you’re ace or not, it’s up to you.

Finally, where can people find out more about your work?

Unfortunately, I don’t have anything truly published yet (I want to complete more of the Elemental Spiral before I try and publish it), I do have a website. It’s a portfolio thing I made for freshman Honors English and have kept up since then. Please note that it does need a pretty major redo in design for my things from last year, but a good majority of my stuff (school English portfolios, a list of my scholastic award winning pieces), save things from the Elemental Spiral, can be found there. Hopefully, I’ll get the Elemental Spiral published…eventually.

Thank you, Sayle, for participating in this interview and this project. It’s very much appreciated.

Signal Boost: Another Book Trailer

Hello all!

April was an incredibly rough month for me and it just seemed to drag on. It was one of those months where almost everything went wrong and I was just miserable (I’m still having difficulty wrapping my head around my late friend’s passing). There was a bright spot though: I was able to collaborate with Britty Lea again to make another book trailer, this one for the 2nd book in my series.

The trailer for Through Storm and Night debuted yesterday:

I love the spookiness and I’m just super happy with how it came out (and one of my dear, dear friends, Robyn Byrd, did some of the voice over).

Britty and I have already scheduled a brainstorming session to plan the trailer for From the Ashes. I’m looking forward to that.

I know some authors follow this site. If you’re looking for a badass ace filmmaker to make a super cool trailer for your book, I really recommend Britty. She’s fantastic. If you’re interested in commissioning Britty, check out her personal site ( or her Facebook page (

And, of course, if you’re interested in helping out an indie ace author, you can always pick up a copy of my books. More information can be found at my personal website ( or my publisher’s, Snowy Wings Publishing, site (

I just wanted to share this because I’m super proud of it and I really appreciate the kindness of the artists and followers this site has. You all are amazing 🙂

Thank you, everybody!

Signal Boost: Another eBook Sale

Hello all!

As you all know, I’ll be speaking on a panel at C2E2 this weekend (more information found here and here). To celebrate, I’ve decided to have an eBook sale on the first two books of my series.

From April 5th – 9th, the eBook of Sere from the Green will be FREE and Through Storm and Night will be 0.99!

If you’re a fan of fantasy starring strong queer women (including adoptees, written by an adoptee) or you know anyone who is, please check out my books. And consider leaving a review. Being an indie author, I’m relying heavily on word of mouth and signal boosts 🙂

Here’s some more information on the books:

Sere from the Green


There is a race that lives among humans, unbeknownst to them, called shape shifters, those that can shift from human to animal at will. Many protect the innocent on Earth and act as the eyes and ears of the guardians, divine beings similar to gods in ancient myths.

Isis is a woman who lives a normal life until the day she photographs a murder scene for her job. When the body disappears from her photographs, Isis is determined to solve the mystery. Her investigation uncovers answers about her own past and sets her on a journey that will change her life forever.

Buy here

Through Storm and Night


The Meadows is home to the guardians, a race of beings similar to the deities in ancient mythology. They watch over the Earth from their serene lands, keeping everything in check. For millennia, it has been peaceful. However, in the beginning, there was a great war. A war with Chaos, a war that is still remembered in the legends of the guardians and shape shifters.

Months have passed since Isis’, a shape shifter/guardian hybrid and member of the prophesied Four, narrow escape from the Obsidian Manor. The Four still haven’t found answers about the mysterious Coop and their search for the Key has yielded nothing but more questions. When an old alliance is reforged, the Four are thrown into another mystery. Who are the strange shape shifters known only as the “glowing-eyes” and what is their connection to the odd symbol and vanishing bodies?

Buy here

Once again, this sale runs from April 5th – 9th.

I hope those of you who already have books are enjoying them and thanks for picking them up 🙂

Thank you so much everybody!

Interview: Katy L. Wood

Today we’re joined by Katy L. Wood. Katy is a phenomenal writer and visual artist who is from Colorado. She recently debuted her webcomic, which features two asexual main characters. Katy combines her visual art with her writing, frequently drawing character art and cover art. Her webcomic, Gunpowder & Pine, sounds like an incredibly intriguing mystery story. It’s clear that she’s a dedicated and passionate artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

Gunpowder and Pine_Part 1 Cover
Gunpowder and Pine, Part 1 Cover


Please, tell us about your art.

Hi! I’m an author and illustrator, so a lot of my art is very interwoven with the stories I write. I do single illustrations, webcomics, novels, cover art, and character art regularly. My work is mostly digital, but I also do a little traditional work here and there, mostly pen and ink, watercolor, and marker. I’ve had work featured in the Society of Illustrators in New York, I have one self-published book, and I have a webcomic (with two asexual protagonists!) that just started posting!

What inspires you?

I was born and raised in Colorado, a fourth generation native of the state, and I come from a HUGE family. I grew up with so many stories about settling the mountains and growing up off the beaten track, and I grew up a bit off the track as well. It really fostered a sense of adventure and exploration in me, and I try and pack as much of that into my work as possible.

What got you interested in your field?  Have you always wanted to be an artist?

It always seemed like the only possibility for me. I’ve always told stories and done art, so making a career out of it was the natural way to go. Admittedly I’m still working on the actual “making money” part, but who isn’t?

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Hmmmm… not INTENTIONALLY. People tell me all the time that I have a style, but I don’t see it (which I think is true for most artists, you’re the last one to ever see your style). I do have one character that is in nearly all my novels, though. His name is Kala and he’s my oldest OC, and I always manage to sneak him in somehow. He’ll just be a random café worker or voice on the radio in someone’s car or something. He accidentally became important in one of my projects, though, and now he’s actually got scenes. Whoops.

What advice would you give young aspiring artists?

Make friends. Make all the friends. It doesn’t matter how good your portfolio/novel is, your chances of getting your work out there in the world are 1,000 times better if you have a good network to help you out. Don’t be afraid to introduce yourself to people you admire, don’t be afraid to ask questions. Talk to people and keep in touch.

Bellewood Promo Image
Bellewood Promo Image


Where on the spectrum do you identify?

Asexual with probably a dash of bi-romantic leaning towards women. Small dash, though. If all I ever end up with is a bunch of cats I’m okay with that.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I think the biggest issue I’ve seen is in publishing for novels. The industry has gotten a lot better about allowing queer content, but they still have A LOT of catching up to do. Some people in the industry are stuck in some very old grooves and the refuse to get out of them. At the same time, there’s tons of awesome, forward-thinking people that are fighting incredibly hard to change the system, and those are the people I seek out.

What’s the most common misconception about asexuality that you’ve encountered?

That the community doesn’t experience homophobia. I, thankfully, haven’t (in relation to asexuality, anyways). But it does happen to so many people and it can be incredibly harmful both mentally and physically.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

You’re awesome. You deserve to be happy and secure in who you are and how you love other people, and if those other people can’t accept that it is okay to let them go.

Finally, where can people find out more about your work?

My website (which includes my newsletter!), Webtoons where you can read my webcomic, my Tumblr, and my Patreon.

Thanks so much for having me!

Vivian's Kitchen Test Illustration
Vivian’s Kitchen Test Illustration

Thank you, Katy, for participating in this interview and this project. It’s very much appreciated.