Interview: CHM

Today we’re joined by CHM. CHM is a wonderful versatile writer. She has written in a few genres and styles. She mostly writes fantasy and historical fiction. When she’s not writing original work, CHM also dabbles in fanfiction. It’s clear she’s a dedicated writer, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

My art is mostly creative writing. I mostly write fantasy and historical fiction, as well as fanfiction.

What inspires you?

A number of things, but mostly music, and my own personal experiences.

What got you interested in your field?  Have you always wanted to be an artist?

I used to read a lot, and that slowly got me into writing my own stories. I also tend to daydream, and story ideas seem to spawn from daydreams.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I really like ending books with the title when possible.

What advice would you give young aspiring artists?

Don’t apologize for your work when presenting it. Stop yourself from saying things like “Sorry in advance” or “This is terrible, but” because it’s not. It’s the best you can do at that moment, and putting yourself down doesn’t help you improve.

ASEXUALITY

Where on the spectrum do you identify?

I’m an AroAce lesbian. Oriented AroAces feel other types of attraction strong enough to warrant their own labels in their identities. The ones I feel are sensual and alterous attraction.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Never in my field, but in my personal life, I have. I usually deal with it using calm explanations.

What’s the most common misconception about asexuality that you’ve encountered?

That we all hate sex, or that we just need to wait a while for sexual attraction to happen.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

No matter what you hear, no matter who says it to you, your identity is real, and you have a strong community backing you up. It doesn’t matter what someone else says about your identity, all that matters is the way the words you use to describe yourself make you feel.

Finally, where can people find out more about your work?

I post all my fanfiction on my Quotev account! At LOZelfafan

Thank you, CHM, for participating in this interview and this project. It’s very much appreciated.

Interview: Alice Chrosny

Today we’re joined by Alice Chrosny. Alice is a phenomenal visual artist who specializes in animation and character art. She enjoys drawing fantasy creatures and mythical monsters. Her work is extraordinary, showing an incredible eye for detail and color. It’s clear she’s a remarkably talented artist with a passion for creating, as you’ll soon see. My thanks to her for taking the time to participate in this interview.

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Mini Weather Friends

WORK

Please, tell us about your art.

I’m a 2D digital animator and character artist that loves drawing cute, friendly content from fluffy fantasy animals to mythical monsters.

What inspires you?

Animation! From television to movies, I was always amazed at how fun and alive drawn cartoons could be. They completely captured my heart at a young age and I knew I wanted to work with cartoons. For more inspiration, my friends and a bunch of webcomic artists I follow inspire me to keep going with my art and stay motivated.

1. Ace Pride Sunny
Ace Pride Sunny

What got you interested in your field?  Have you always wanted to be an artist?

Watching Dexter’s Lab and PowerPuff Girls as a kid and all sorts of cartoons in general on Cartoon Network along with Disney movies, Looney Tunes, etc. Ever since I was old enough to hold a pencil, I’ve wanted to work in the art field in some way, primarily in animation.

2. MerMary
MerMary

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I always write my signature with a dash and a tiny heart. I always try to put or sneak hearts in my illustrations when I can.

What advice would you give young aspiring artists?

If you’re passionate about art and want to continue creating, don’t give up.

Everyone learns and grows at a different pace and we’re all walking our own different path. Life’s not a race and I know it’s hard not to compare yourself to others, but you have to remember how far you’ve come. Draw what you want for yourself, challenge yourself, take care of yourself, and be kind to others and yourself.

You got this!

3. Alphonse Cats
Alphonse Cats

ASEXUALITY

Where on the spectrum do you identify?

I identify as a Romantic Ace

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

When I’ve had to explain to people, they don’t always get it or just assume I’m just a “late bloomer” or know me better than I do. However, I’ve never personally faced any ace prejudice in my field, so I consider myself very fortunate.

4. Super Blue Moon Eclipse Hide
Super Blue Moon Eclipse Hide

What’s the most common misconception about asexuality that you’ve encountered?

That aces don’t want to have relationships or be married. It’s pretty easy for asexuals to be confused or automatically assumed to be aromantic, too, but that’s not the case for everyone. Some aces want to have relationships and some don’t and that’s fine. Romantic love isn’t greater than platonic love. Love is important and comes in many different ways and forms that we give and receive.

5. Solar Dance 3
Solar Dance 3

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

You’re not broken and you’re not alone. You can’t let others define and label who you are. You only know what makes you comfortable or not. If a label or identity feels right for you, then awesome, but don’t worry if you’re not sure. Everything’s on a spectrum, not everything fits neatly into place and that’s OK. You’re gonna be OK. Keep going!

Finally, where can people find out more about your work?

You can find my work at my website: http://alicechrosny.com/

And follow me on social media!

https://twitter.com/alicechrosnyart
https://www.instagram.com/alicechrosnyart/
http://alicechrosnyart.tumblr.com/
https://www.youtube.com/user/AliceApproved/featured

Thank you so much and I hope you have a Sunny Day!

6. Solar Dance 4
Solar Dance 4

Thank you, Alice, for participating in this interview and this project. It’s very much appreciated.

Interview: Elizabeth Wambheim

Today we’re joined by Elizabeth Wambheim. Elizabeth is a phenomenal author who writes novels, novellas, and short stories. All her work features ace protagonists (how awesome is that!?) and it mostly falls in the fantasy genre. She has already written an ace retelling of Beauty and the Beast. She has also written a novel about the relationship between a male shepherd and a Viking woman. It’s clear she’s an incredibly passionate and creative individual who loves what she does, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

1. Author Image

WORK

Please, tell us about your art.

I am the author of a small (so far!) body of published works that feature asexual protagonists and asexual relationships. My biggest work so far has been a novel titled More Than Enough which is a gay/ace retelling of Beauty and the Beast. My first piece was a novella titled Wolves in the Fold about a male shepherd and a female Viking navigating a relationship as well as language barriers. I love writing fantasy; reworking fairy tales; and establishing soft, supportive relationships between characters.

What inspires you?

Just about everything! Books, movies, television shows, video games, and even music can be a source of inspiration. If something catches at my attention, I file it away for use somewhere. My first story in high school had an ensemble casts because I loved the friendship/team dynamics between the four to eight main characters in the Tales series of video games.

Real-world relationships are also inspiring; if I notice an interesting dynamic between two people (be they friends, family, or coworkers), I’ll make a mental note of it and it might wind up as the building block of a fictional relationship. I also make use of personal experiences: I like to be able to step inside my characters and describe the way their emotions affect them physically. The easiest way for me to do that is to write from a place of understanding—where do my experiences overlap with this character’s? If I haven’t gone through exactly what they have, what comes close? What did it feel like to be there? After really good days and really bad days, I take a lot of notes about what happened and how I felt.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve been writing since elementary school, but it was mostly something I did for fun. I took Creative Writing classes all through high school and majored in English in college. After I graduated, I realized there weren’t many fictional partnerships that reflected my preferences or my experiences. I found the undercurrent of sexual tension between would-be romantic partners to be alienating and sometimes uncomfortable. So I started writing the stories I wanted to read.

While my writing is not what I want to depend on for a living, it is a vital part of my life. I love the puzzle of crafting a story from scraps of lived experience and fictional inspirations. Writing also helps me validate who I am and how I feel; it’s a privilege to know that my stories help other people, too.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I love mythological and literary symbolism, so there are almost always elements of that in my stories, such as a scar used as a symbol of a character’s triumph over adversity or an oblique reference to the “eating of the pomegranate seeds” in the Hades/Persephone myth.

What advice would you give young aspiring artists?

You’re the only person in the world uniquely positioned to produce the work that 100% appeals to you in form and content. Work on what makes you happy.

Conversely, if you don’t enjoy what you’re doing or you find that you’re bored with the piece, then take a break and don’t feel bad about taking a break. You’re a human being, not a machine! Treat yourself kindly and you’ll come back to the work when you’re ready.

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ASEXUALITY

Where on the spectrum do you identify?

Asexual and sex-repulsed as hell. I’ll say that I’m biromantic, but my take on romantic love is best described by that Pepe Silvia screenshot from It’s Always Sunny in Philadelphia.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’ve worked in public libraries for the last three years, and I haven’t experienced any prejudice from any of my coworkers, thankfully! But I’m also not really open at work (either about being ace or about being bi), so that might be part of it.

The only issue I’ve had has been that I have a really hard time shelving titles in the romance section. The covers make me kind of queasy (no one on them is wearing nearly enough clothes), so I just avoid working in that section as much as possible.

What’s the most common misconception about asexuality that you’ve encountered?

On a general level: it’s a phase and something we’ll grow out of, or that there’s something inherently childish about it as an orientation.

On a personal level: being asexual means that I’m inherently not interested in (or incapable of having) a committed partnership with another person.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Where you are and how you’re feeling is okay! Give yourself space to figure out how who you are and how you feel. Don’t let anyone convince you that your truth isn’t a valid truth.

Finally, where can people find out more about your work?

https://ewambheim.wordpress.com/ is the hub for my published work. I have one short story there that you can read for free as a PDF, and it also includes links to the Amazon pages for Wolves in the Fold and More Than Enough.

https://ajumbleofpages.tumblr.com/ is the Tumblr I use for sharing writing updates.

Please also check out the Goodreads page for More Than Enough: https://www.goodreads.com/book/show/36327532-more-than-enough

Folx have left some very kind and heartfelt reviews there and on its Amazon page!

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Thank you, Elizabeth, for participating in this interview and this project. It’s very much appreciated.

Interview: Ashleigh Nicole

Today we’re joined by Ashleigh Nicole. Ashleigh is a wonderful young up and coming visual artist who is currently studying illustration at uni. She specializes in character, concept, and storyboard artist. Her work is beautiful, showing an amazing use of color and line. It’s clear she’s a passionate artist with an incredibly bright future ahead of her. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I’m a second year Illustration student and my work focuses on concept, character and storyboard art, but I also like to create random illustrations of my own. I also want to move into comics at some point!

What inspires you?

I’m inspired by plants, superheroes and fantasy- they feature a lot in my work. But I also watch other people’s work on Instagram and twitter and I enjoy getting inspiration from their work too whether its colour pallets that I didn’t think of exploring or a brush technique.

What got you interested in your field?  Have you always wanted to be an artist?

I have always drawn, but I was actually set on becoming a fashion designer since year 7. I changed degrees before I started because I was filling sketchbooks more than I made clothes in my gap year and thinking about selling my art. I still like fashion so maybe I’ll go back to it at some point.

friends girls
Friends Girls

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t! I feel like I should though!

What advice would you give young aspiring artists?

Learn anatomy, perspective and colour theory. I still haven’t done that to be honest but I’m on my way!

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Rosa Signature Version

ASEXUALITY

Where on the spectrum do you identify?

I just go by asexual- sometimes demisexual but very rarely.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I have encountered people (not in the creative sector just in general.) that think it’s a choice…I have no words. Asexuality is still a bit unknown in the wider world so it’s mostly a general prejudice towards LGBTIA+ people that I’ve seen.

What’s the most common misconception about asexuality that you’ve encountered?

Many people don’t seem to understand asexuality as a spectrum. People have different levels, if’s buts and whys and don’t experience things the same as another person.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Find people like you! Whether that’s online or in person, speaking to people who share similar experiences is great!

Finally, where can people find out more about your work?

I’m on Tumblr, Instagram, and YouTube under the username mashmato!
My portfolio is http://ashleighnicole.myportfolio.com

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Thank you, Ashleigh, for participating in this interview and this project. It’s very much appreciated.

Interview: Jacob

Today we’re joined by Jacob, who is known on social media as Jacob’s Jottings. Jacob is a phenomenal author who writes both original fiction, nonfiction, and fanfiction. For nonfiction, he writes about autism and mental health for the site “The Mighty.” For fiction, he has mostly written fanfiction and original short stories, but has recently taken on two large projects. One involves a detective in post-war Britain and the other is about an autistic wizard (which is something i would absolutely love to read because it sounds fantastic). It’s clear he’s a dedicated and passionate writer, as you’ll soon read. My thanks to him for taking the time to participate in this interview.

1. The Capitoline Academy (Sunset) (A4 cover logo)
The Capitoline Academy (Sunset)

WORK

Please, tell us about your art.

I’m a writer, and I’ve really started to come out of my shell in the last few years. I’ve always written short stories and never shown them to anyone before, but that changed when my friends started writing fan-fiction, and my English teacher at college told me to attend a creative writing club.

Though I’m still very private about my larger projects, I started publishing articles for mental health site The Mighty, one of those articles received 32,000 hearts on the site, and got shared a lot on social media, so I started to say to myself ‘what if people would like my creative work too?’ and here I am now, writing two large scale projects, one about an autistic wizard, the other about a detective in post-war Britain. Not just that, but I published some fan-fiction of my own, and I found once that was out there, I found it a lot easier to write without much self-doubt.

I’ve recently finished college, and I’ve been accepted onto the Creative Writing BA course at a university I’ve dreamed about going to for years. I’m hoping this will really make my dream of being a full-time writer a reality, even if it takes years to take off.

As well as writing, I also do a bit of photography, and some digital design. I make all my own covers for my projects, as well as posters for events, and I love going out and taking pictures. I often use the pictures for reference for my writing, and it’s a great skill to have alongside.

What inspires you?

I find inspiration in many things, mainly everyday life. But I often find myself looking into what I loved as a child, certainly what comforted me. Sometimes this is in the form of stories by other authors, such as J. K Rowling, or Terry Pratchett, but other times its films and music, or most importantly to me: knowledge. Plants, animals, and space particularly always have heavy presence in my stories, and that’s because I love to learn new things.

I’ve always written to escape the real world, so I suppose it is natural that my other methods of escape blend well with this, I often find that going to a museum or exhibition particularly fuels my writing, it often ends in me trying to fit a lot into one box- my wizarding story contains as much knowledge of the natural world as it does fictional magic for example.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve always been creative, and I was sure I wanted to utilise that in some way, but could never find an exact form that suited me. I tried art, and drama, and found myself not ever truly comfortable. I mainly thank books, films, and television, for getting me into writing. The idea of making my own stories was irresistible! I cannot pinpoint when it exactly started happening, probably about five years ago, but I finally found that writing (alongside reading and watching) was the most enjoyable thing to do. Then it all fell into place, and I find myself writing all the time, even if it never gets added to again- it’s fun.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Oh definitely! The infinity symbol finds its way into most of the stuff I write, not just because of its use by the autistic rights movement, but because of my fascination with the concept behind the symbol. I also always incorporate types of birds as symbolism- usually owls, or penguins, as they’re my favourite, penguins especially.

Playing with colour is something I’ve recently moved into, I don’t have a single character that does not heavily associate themselves with colours and their meanings, even if it is just a subtle inclusion. Blue for my protagonists usually, a colour I use not only to create a cold atmosphere, but also to show the presence of intelligence, imagination, and peace. Reds and oranges meanwhile shows up my more passionate and instinctual characters, with purple showing a combination of the two.

I also love playing with imagery, with many of my characters having ‘hair the colour of fertile soil’ or the ‘great spurts of an ancient wine, hemorrhaging profusely’- it can feel a bit forced sometimes, but it often pays off, and I find it a great way of illustrating the worlds I’ve made.

I’m also told I tell stories in a unique way, my friend recently commented that when she reads my writing, I am clearly telling the story, rather than just creating it. I’ve never quite understood this evaluation, but I’ve heard it quite a few times in several forms.

What advice would you give young aspiring artists?

It sounds cliché- but I would say just do whatever you love! I spent far too long worrying about what others think, and though that matters if you want to make a career out of it, the initial starting of a new art is a solo-activity. If painting makes you happy- paint! Everyone I know who does something creative for a living started off doing it to just kill time, or to help them with another activity, and it grew from there.

2. Inherited Intuition A4 Cover
Inherited Intuition

ASEXUALITY

Where on the spectrum do you identify?

I use the label asexual as standard, to me, this means not feeling sexual attraction. I’m confident in identifying as a sex positive asexual, but I’m yet to 100% settle on my romantic orientation.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I think one of the strangest encounters in my life was when I first explained asexuality to someone, without attaching the label to myself. I was told its ‘unnatural’- for this reason, in my private life, I don’t talk about my sexuality until prompted.

I also find that some in my age group is often sex-obsessed, I’ve often been labelled prudish just for not wanting to talk about sex, and I find it very hard to try and express my frustration with that. I am not at all prudish, I just think about it completely differently to they do!

I incorporate it into my work- I actually find it harder to write allosexual characters, and therefore many of my characters are asexual by accident! And I do worry that some people won’t understand the representation if they haven’t experienced it first-hand, but I do my best to write characters that educate as well as represent now.

Outside of my field, I see prejudice and ignorance regularly, insults such as ‘frigid’ and so on, I also see the constant discourse present on sites such as Tumblr, and though I do my best to keep out, I sometimes worry for our community, I hate the idea that anyone who identifies as asexual will feel like it isn’t valid or can’t talk about it in case they’re verbally attacked.

As an autistic person, I also find that some people think my asexuality is part of that. I don’t think it is- and it’s quite insulting to assume that someone’s sexuality is part of their sensory issues for example. The two often overlap for me, and I also know autistics that do feel sexual attraction and have those sensory issues anyway. Some people in both communities would even say their sensory difficulties enhance their sexual experiences.

What’s the most common misconception about asexuality that you’ve encountered?

Personally, I find that the definition of asexual is often mis-identified. It means lacking sexual attraction. But I know people who are completely convinced it simply means ‘won’t have sex, or won’t masturbate’- it is often a pain to try and debate it with them, and I find myself bringing up articles from the community to back my side up.

I don’t like discussing the personal details of my own asexuality in too much depth with people who might not understand, and therefore I think the extra labels of ‘sex positive’ are really useful when discussing asexuality, as well as the other identities within the spectrum.

At the end of the day though, the only person other than me who has a right to that deeper information is a partner, and I don’t think asexuals should ever feel pressured to dissect their identities for another person’s curiosity or because of an ignorant person’s misconceptions.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Firstly, it is okay to struggle! I found it incredibly hard to find the orientation that best described me. I still think sexual orientation is a fluid concept, and I think people who are struggling should remember that. If something doesn’t feel right, find the label that does feel right, and don’t feel guilty if that changes. Some asexuals might not find that identity for a long time.

I myself often find myself wondering if I might be aromantic as well as asexual, or demisexual instead of asexual, this is a natural part of development. Just as sexuality in all its forms is natural. A lot of people go through that internal debate. And nobody should ever be afraid of using the label that best suits them.

I would also repeat that the only person who needs to be happy is you. Come out at your own pace. Experience your sexuality at your own pace. Some people don’t find the identity they’re most comfortable with until they’re halfway through life, and there’s nothing wrong with that.

There’s a thriving asexual and LGBT+ community waiting to help you through it all, and the right people within it are not going to judge you for struggling.

Finally, where can people find out more about your work?

People can find my work in several places. For a more personal touch, there’s my own Tumblr blog which is at jacobs-jottings, or my AO3 under the same name (but without a hyphen).

As well as this there’s my new Facebook page, also called Jacob’s Jottings, and my user page on The Mighty, under my full name- Jacob Durn. If anyone is curious, my photography can be found easily on Instagram, where my username is identical to my AO3 one.

My blog has a bit of everything (including personal posts, and lots of reblogs), my AO3 some fanfiction, and soon some original works, whilst the last two focus on my non-creative work.

3. Murder On The Hogwarts Express
Murder On The Hogwarts Express

Thank you, Jacob, for participating in this interview and this project. It’s very much appreciated.

Interview: Ash Kleczka

Today we’re joined by Ash Kleczka, who also goes by Umber online. Ash is a phenomenal visual artist, an all-around fantasy enthusiast. They love using visual art to tell a story and highlight beauty. Their images show a unique style and a very vivid imagination. It’s clear Ash loves to create, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I’m a fantasy illustrator, a painter, concept artist, and all around enthusiast… I was going to add more to that statement, but honestly I think ‘enthusiast’ about covers it. I get really excited about concepts that are self-reflective in some way, or that highlight an unexpected beauty.

I really try to create art that tells a story.

What inspires you?

Nature, mythology, the occult. Things that are taboo or archaic. I’m also deeply inspired by role-playing games like D&D and the character building process.

2. HogwashnNewtonFIN
Hogwashn Newton

What got you interested in your field?  Have you always wanted to be an artist?

The simple, inelegant answer is that I got into visual arts because I was dissatisfied with the attractiveness of some characters from a video game I was into at the time – and I wanted to make characters that would appeal to me.

It’s an ongoing struggle haha.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

My super-secret naming convention for pretty much any character I’ve ever created ever is to try to match their personality/appearance/some interesting feature to a bird or other natural flora or fauna and then I build their name around the scientific binomial of that thing.

So for example, one character named Cyril Alcyon is based around the belted kingfisher megaceryle alcyon. Another is named Melia Edarach which is taken from the chinaberry tree, or Melia azedarach.

What advice would you give young aspiring artists?

My advice is to just keep going. It’s OK for things to not look exactly as they do in your head, or to be dissatisfied with where you are with your art. It means that you have room to grow! Stay open to new ideas and roll with the punches. Art, like life, is full of happy accidents.

3. Greed
Greed

ASEXUALITY

Where on the spectrum do you identify?

Grey-Ace/Pansexual

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’m not particularly open about my sexuality in the workplace, but the few times it’s come up typically end with the person I’m talking to feeling sorry for me. It’s not hateful – just a lack of understanding. So I try my best to explain that it’s not a negative part of my life experience. It’s just an orientation in the same way that being gay, or bisexual is.

I have encountered prejudice in my personal life however. One instance was in my last D&D campaign. I played an ace/aro character, and was met with some questionably in-character commentary from another player. That was really the first time I’d encountered something like that in the wild before, and honestly…I’m open to advice myself.

4. FortSaveWeb
Fort Save Web

What’s the most common misconception about asexuality that you’ve encountered?

That it’s something to be fixed.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Find people you trust that you can talk to, and be patient with yourself. Sometimes it’s not as simple as just being one piece of the big sex/gender pie. Sometimes you’re a triple decker slice of pie with whipped cream and cherries.

I’ve found it really helpful to talk to my husband (who’s allo) to see where we differ. Sometimes the answers you’re looking for are in the empty spaces between two truths.

Finally, where can people find out more about your work?

I have a website umbertheprussianblue.com!

You can also follow me on Instagram and Twitter at ThePrussianBlue

5. Solas
Solas

Thank you, Ash, for participating in this interview and this project. It’s very much appreciated.

Interview: Lucas Wilga

Today we’re joined by Lucas Wilga, who also goes by luci online. Lucas is a phenomenal game maker and writer. They create tabletop role-playing games and the first one is entitled Sundown, which sounds fascinating and I highly recommend checking it out. Lucas has recently branched out into writing short stories set in the Sundown universe. It’s clear they’re an incredibly passionate and driven artist, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I make tabletop role-playing games, and I recently branched out into writing fiction as well. The first game I’m creating professionally, Sundown, is currently in an open playtest. It’ll have an official launch sometime next year. It’s light on rules, and it’s set in this cyberpunk, biotech inspired fantasy setting. It has transhumanism, politics, and sword cowboys. My work on it is mostly done, so I’ve started occupying my creative time writing a serial of short stories set in Sundown, starring a sarcastic young monster slayer.

What inspires you?

Other games and works of fiction. I’m always itching to design something new after I read a new game. Sundown itself came out of a modification of a different game I’d recently picked up at the time.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve always been imaginative. I entered the hobby at eleven, and I started running games and designing adventures at fourteen. This eventually turned into creating my own games, but I didn’t know I wanted to make a career out of it until a year ago.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

My style is all about keeping people engaged, so my signature has become brevity. I keep things short and snappy. Whether teaching a game or weaving a narrative, it pays to avoid toiling too long on the nitty gritty.

What advice would you give young aspiring artists?

Especially when designing a game, start small. Keep your scope limited. Know what you want to say and cut anything that isn’t in direct support of it. Don’t overthink it. Don’t spend too long thinking about one specific thing. Don’t try to create the perfect piece. You’ll burn yourself out chasing perfection.

ASEXUALITY

Where on the spectrum do you identify?

I don’t know if there’s a word for this yet, but I’m okay with sexual things that take place entirely within my imagination. Things like smut. Sometimes images are okay, too. But I have no desire for, and am usually repulsed by, sex ‘in real life.’

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’ve had folk tell me to tone down the queerness in my work, but I haven’t really encountered any sort of acephobia. There is a strong queer independent tabletop role-playing game community, so I don’t really have to try to sell to, or interact with, non-LGBT+ spaces.

What’s the most common misconception about asexuality that you’ve encountered?

The most common misconception, I’d say, is the idea that asexual is synonymous with aromantic. Especially for ace folks in relationships, it can get tiring to explain the difference.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

This might be hard advice to follow, but just don’t give it so much weight. It’s okay for your sexuality to shift or change as you grow as a person and learn more about yourself.

Finally, where can people find out more about your work?

Grasswatch Games is the company my two creative partners and I created to work on Sundown. Its website, grasswatchgames.com is the hub for our current work. You can find Sundown itself there, as well as my first short story. You can also find our Twitter, Facebook, and the Discord server we’re running Sundown’s playtest on.

Thank you, Lucas, for participating in this interview and this project. It’s very much appreciated.