Interview: Vic

Today we’re joined by Vic. Vic is a phenomenally talented filmmaker who specializes in narrative shorts and micro-documentaries. She’s currently raising funds for an awesome new webseries called I Don’t Give a F*ck, which promises to be absolutely hilarious (seriously, please donate if you can: fundraising page). Vic is an exciting filmmaker with an incredibly bright future ahead of her. She’s very passionate about film, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

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IDGAF Cake Poster
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IDGAF Main Cast

WORK

Please, tell us about your art.

I make narrative shorts and micro-documentaries that often have themes surrounding family, blackness, and the mundanities of everyday life.

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Cast and Crew of “IDGAF”

What inspires you?

I’m inspired by so many things. Nature, family, friends, directors like Ava Duvernay and Hirokazu Koreeda. I love their work. I get inspired by LOTS of TV… But I can draw inspiration from almost anything really, and usually I tend to focus on overlooked details.

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Da Vinci Skit

What got you interested in your field?  Have you always wanted to be an artist?

I think I’ve somewhat always wanted to be a storyteller. I used to write quite a lot when I was younger. Just short stories and poems, so I feel like I’ve always had that artistic blood in me, however, I didn’t start entertaining the idea of being an artist or filmmaking specifically until around high school. I saw a movie called Raise the Red Lantern by director Zhang Yimou and fell in love cinema all over again, but for a different reason, I think.

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Da Vinci Skit 2

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t have signature symbol in my work that says like “hey I made this”, but I supposed I do have a bit of a specific style in the way I edit videos or create title designs.

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Got Milk Commercial
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Got Milk Commercial

What advice would you give young aspiring artists?

Be vulnerable. I don’t think I can stress that enough. I think many of us think that’s a given when you’re making artwork, but you’d be surprised how hard it is for many artists to get personal in their work when they know they have to show it in front of an audience or hang it in a gallery to be critiqued. But being vulnerable in your work can often produce the best pieces. So don’t be afraid to tell people who you are, what you’ve experience, and how you see the world through your work. You can’t let fear of criticism control you.

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Power Hunger Animal MV
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“Skin is Black” documentary

ASEXUALITY

Where on the spectrum do you identify?

I just recently realized I was demisexual about 5 months ago and as of now I’m even possibly considering that I might just be asexual all together. In the process of trying to figure that out.

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“Zamir Fantasy” Narrative

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Oh gosh, yes, it’s been a very bizarre and interesting ride ever since I started telling people in my life that I’m someone on the asexual spectrum. I remember having to pitch the idea for an upcoming web series featuring an asexual character 17 times to different colleagues! And when I pitched the idea I basically had to give a 101 crash-course on asexuality each and every single time. Some people learned something others even considered the possibility that they actually might be someone on the asexual spectrum as well. Like me, months ago, it never occurred to them that that was even an option. And seeing that sense of validation flash over in their eyes made me feel like I was doing something good and important.

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“Zamir Fantasy” Narrative

It hasn’t all been peaches and cream, however. Some of the people I know who are LGBTQ filmmakers or artists seemed to be unsure of whether asexuality is even a real thing, let alone demisexuality – which I abandoned even trying to explain at one point because I could sense the immediate invalidation when they looked at me sort of like “…Really? OK believe whatever you want.” You know, that look that kind of makes you feel like you’re a child again when people look at you so condescendingly.

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“Valid” docuseries about asexuality

For demisexuality I get a lot of “isn’t that just what everyone goes through though? Everyone takes time to connect before they actually have sex in a relationship.” But I’m like no it’s different, and it’s a bit more complicated than that, haha.

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“3C4A” docuseries

What’s the most common misconception about asexuality that you’ve encountered?

That asexuals don’t have sex or that they don’t want to be in relationships at all (including romantic ones). Huge misconception.

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“3C4A” docuseries screencap 1

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

You are valid. Everything that you feel is valid.

You are not obligated to take on the emotional labor of trying to explain to every hard headed person why what you feel is real. So, if they ask and you’re exhausted from explaining, you don’t have to tell them. Google is their best friend OR just show them by living boldly and unapologetically asexually.

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“3C4A” docuseries screencap 2

If you’re struggling to accept that you are asexual, it’s OK. Take the time you need to grow into yourself and parts of your identity. Talk to people you trust whom you can confide in.

It’s OK.

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“3C4A” docuseries screencap 3

Finally, where can people find out more about your work?

As of right now I don’t have a portfolio up, and I currently have a website that’s WIP. For now if people want to they could follow me on my Instagram at soeulcinema sometimes I post previews of my work there.

Or if they’re really curious and can’t wait they can simply ask me and I can send them a private link.

And I’m also currently in the process of creating a web series called “I Don’t Give A F*ck” that focuses on the lives of two WOC, one who is a asexual Filipina, and the other who’s a black pansexual and sexually liberated woman. As of right now we’re raising funds to get the project off the ground but if anyone is interested in following the journey of our production they can follow us on Facebook or Twitter and if they want you can support us on our Indiegogo page by donating or sharing!

All links are below:

INSTAGRAM: https://www.instagram.com/soeulcinema/
TUMBLR:  http://kodacchromes.tumblr.com/
FB: https://www.facebook.com/idgafwebseries/
TW: https://twitter.com/idgafwebseries
INDIEGOGO: https://www.indiegogo.com/projects/i-don-t-give-a-f-ck/x/15958859#/.

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“Skin is Black” docuseries
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“Skin is Black” docuseries

Thank you, Vic, for participating in this interview and this project. It’s very much appreciated.

Interview: Kris

Today we’re joined by Kris. Kris is a phenomenal filmmaker who specializes in short films. She has done both narrative films and documentaries. Currently working on a feature length script as well as a webseries, Kris is an enthusiastic and dedicated filmmaker who has an incredibly bright future ahead of her. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I am a filmmaker. These days that is mostly writing and directing, though when friends have projects on the go sometimes I’ll produce or be director of photography. While most of my films are fiction, I do the occasional documentary when the right story presents itself. To date I’ve done exclusively shorts. I do really enjoy the medium of short film, the challenge of getting an audience hooked, engaged, and happy with the resolution all in 10-15 minutes is very satisfying to me. Lately though I’ve been branching out. I’ve got a feature length script that I’m working on, and also a 9-episode web series that I recently started to write. I also do a bit of photography, but that is much more as a hobby to entertain myself.

What inspires you?

Life. The world. When I first started taking photographs as a teenager it was all about looking at the light, looking at the world and thinking, “wow” and wanting to capture it. When I became a storyteller, it was sort of that, but with people. I love being out in the world – at a coffee shop, at a museum, at a park – and just watching people, listening to how they talk to each other, seeing what kinds of things make them go “wow.” I love playing the what’s your story game. Seeing someone, especially when they do something unexpected, and thinking who are you, and what’s going on with you that made you do that. And because I make fiction I can just make up an answer.

What got you interested in your field?  Have you always wanted to be an artist?

I always wanted to be behind a camera. I can remember the first time I ever took a photograph. It was with my Dad’s big heavy SLR shooting slide film. I still have that slide in a box in my attic. There was always art going on in my family when I was a kid, but I can’t draw so it started out as a way to make a picture. But then it became a way to capture a bit of the world and share it with people. And then I went from photography to video in college because it seemed like a better way to make a living.

I have always been creative, but I don’t think it’s accurate to say I always wanted to be an artist. I loved having a camera in my hands, I loved making things. But for 20 years the things I was making professionally I didn’t consider artistic. I was making training videos and other corporate/industrial stuff. But after a while I thought, I want to tell my own stories. I started doing film as a hobby. Getting my friends together and goofing off in my back yard, or making silly videos of my dog. The more I did it the better I got until I thought, you know maybe I could do this creative stuff for real. Now I’m a professor and it’s part of my job description to keep making films. It is possibly the coolest thing ever.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I went through many years where my dog would get a role, or at least a cameo in most of my films. Usually one of the extras would be walking her. She died while I was in film school though, so in my thesis film there’s just a photo of her. My new dog isn’t trained well enough yet, so for the time being it’s likely to still be pictures of Blue hiding among the set dressing.

What advice would you give young aspiring artists?

Ira Glass has the best advice, which is to make a lot of work, especially if you feel like the work you’re making isn’t good enough. It will never get good enough without a boatload of practice. And that’s true no matter what kind of art you do. Also, it’s important to get out in the world and have a life. My students often ask me if they should go to film school and I always tell them not right away. Go and experience a bit of life first because that’s what’s going to give you your stories to tell.

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Sarah and Esther working on the step afternoon

ASEXUALITY

Where on the spectrum do you identify?

I am asexual and aromantic.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I haven’t. On set we’re busy working and it would be unprofessional to be discussing our sex lives. And it’s really easy to be invisible as an asexual, which is both good and bad. I am unlikely to get harassed on the street because you can’t tell by looking. I’m not holding hands with the wrong person or whatever. People will assume you are like them until proven otherwise (about all sorts of things) so if I don’t bring it up it doesn’t come up.

Lately I’ve been realizing that invisibility is also bad. That it has a lot to do with why I spent decades trying to be something I’m not. Why it wasn’t obvious to me that there was nothing wrong with me. So I’ve started kind of coming out at work, identifying myself as a queer filmmaker. Universities tend to be supportive of that kind of thing though so nobody has given me a hard time about it. Maybe it would be better to battle the ignorance if I identified as an asexual filmmaker, but a) I don’t really have the energy to have to define it every time I say it, b) it’s not actually my colleagues’ business what flavor of not-straight I am, and c) I would really like to broaden the definition of queer film and queer filmmakers. We shouldn’t have to only tell coming out stories or dying of AIDS stories. I should be allowed to tell whatever stories I want and still be free to be myself.

What’s the most common misconception about asexuality that you’ve encountered?

The common problem is that it’s not a word your average straight person knows. We come so far down on the alphabet soup of the acronym that people give up trying to figure out what all the letters mean before they get to us. So if I use the word then I’ve got to explain it and then you get that little head tilt of “huh, I didn’t know that was a thing.” And if I don’t actively explain it then the misconception is she’s just single and eventually Mr. Right will come along and solve that problem. Or, among my sister and the rest of the lesbians in my home town, then Ms. Right will come along. But nobody ever thinks she’s single and that’s how she’s happy being.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

There is Nothing Wrong with you. Many people won’t get it, but they don’t have to. You just be you and they can figure themselves out. For me the best part of being asexual is that nobody else really has to get it. The only people who need to understand the details of my sex life are the people involved in it, which, by definition, is nobody. All the well-meaning but annoying people who insist that there is someone out there for you, you can feel free to ignore them. Unless you actually want that, some asexuals do and that’s fine, you be you. But be unapologetically you. You don’t owe anything to anyone else.

Finally, where can people find out more about your work?

If you’re interested in my work my company website (https://heronmedia.wordpress.com/ ) is the best place for that. New work has images and trailers, when things are on the festival circuit I keep that up to date on screening locations and times, and when they finish the festival run I put them up entirely.

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Thank you, Kris, for participating in this interview and this project. It’s very much appreciated.