Interview: Allyzah Allene

Today we’re joined by Allyzah Allene, who also goes by Ani or Ani Fangor. Allyzah is a phenomenal visual artist who works with in digital and traditional mediums. They haven’t met a material they didn’t like and work with just about everything. Their work is brimming with detail and a masterful use of lines and colors. They’re incredibly dedicated, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

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Self 2017

WORK

Please, tell us about your art.

I am an artist that likes to dabble in just about everything I can afford. I have worked with traditional mediums like pencils (graphites, colored pencils), charcoals, markers, paints (acrylic, watercolor, oil) and digital mediums (limited photoediting, mostly digital art). My goal is to be able to learn as many mediums as I can because I want to teach art. I also occasionally write, and recently began posting my comic on Tapas.

While many other artists have a “deeper meaning” behind their artworks, or a consistent theme, I find art to be most enjoyable when it is “whatever I feel like.” I don’t like stressing over incorporating hidden meanings and “how it may be interpreted,” but rather getting the idea out of my head. My art blog and my art tag ends up being full of random half done pieces and concepts because it’s not always about finishing, but expressing my ideas. (Perhaps not the best rule to live by, but as a student, it’s enough for me.)

What inspires you?

Most of the time, the deadline. Otherwise it’s usually whatever I find aesthetically appealing enough to draw!

For my writing and my comic, though, that was inspired by the lack of diversity in the media I consumed. I got tired of the same old “boy meets girl” plot/subplot found in most things I read, and especially, the lack of characters who even vaguely looked like me. Growing up, the books I read often degraded characters that shared my race or ethnicity, and I struggled with my identity until I was 16 (a mere four years ago). I hated who I was because I wasn’t white, and I thought that I would only be successful if I were like the white characters in my books—even then, that could be a stretch, as there were very few books with girls as the lead. I didn’t find out that I wasn’t cishet until I was about 15, and by then I barely read outside of the class readings, so I wasn’t as bothered by the lack of LGBT+ positive books just yet. In my junior year, I had my “if no one else is going to do it, I will” moment and decided I would make a comic featuring a diverse cast in both ethnicity, gender identity, and sexual/romantic orientation. It took a while, but I finally decided I had put it off long enough and started publishing pages early July 2017 as my 20th birthday gift to myself.

What got you interested in your field?  Have you always wanted to be an artist?

When I was in the second grade, my school’s art teacher brought a guest artist to speak to everyone. I don’t remember the name of the artist, but I remember being so intrigued—it was one thing to learn about Van Gogh and Picasso in class, and a completely different thing to see someone live at work that wasn’t my teacher. The way he worked was by covering a canvas with black charcoal, and slowly erasing it away to create an image. My art teacher later caught me trying to do the same thing while waiting for my dad to pick me up, and asked me if I wanted to be an artist when I grew up. It wasn’t something I had thought of before, but I remember being so happy that she thought I could, and I said yes. Since then, I have been on a quest to learn as much as I can about art so that I can help as many people as possible when I become a teacher.

As for writing, we have a rocky relationship. During elementary school, I had a pattern: I would love writing one year, and hate it the next. I didn’t really take it seriously for a while, even when I started writing and posting fanfiction. I found out about NaNoWriMo in middle school, and became serious about writing original work, although the passion and motivation is not nearly as consistent as with art.

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Death Lingers

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t know if I’ve been consistent enough with anything to have one of those! The closest thing is the stamp I use to sign my artwork (when I have it). I visited China two years ago as part of an exchange program, and the Chinese students gave me an approximate phonetic translation of my name so that I could have a “Chinese name.” I bought a stamp with that name on it to remember them and the trip, and I use it as half of my artist signature.

What advice would you give young aspiring artists?

Besides the ever present “keep practicing,” I’d say “if you can’t figure out what’s wrong with it, put it on pause and work on something different; it’ll come to you sooner than if you keep focusing on it.” If it’s art, that one part will still be waiting for you to come back, and if it’s writing, you can always just type in something like “akdguhos” or “[COME BACK TO THIS]” and continue. (Just make sure that you go back to it before you publish it or turn it in!) You don’t have to finish everything in one go. Take a break, let your creative juices recharge.

Something specifically for visual art: we tend to hyperfixate on the small area that we’re currently working on. Every now and then, remember to step back (or, if digitally, zoom out) and look at the piece as a whole. Something might look okay while zoomed in… and then you look at the whole picture and realize that it’s completely misaligned or maybe the color palette doesn’t match the rest. I’ve worked on several semi-realistic pieces and realized that the “perfect nose” was too far right, or that it looked like the neck didn’t come from the same body as the head, because I didn’t look at the whole picture as much as I should have.

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Lumos

ASEXUALITY

Where on the spectrum do you identify?

I am asexual sex-repulsed, and demi-panromantic. (As well as agender/non-binary.)

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’ve been lucky enough not to encounter any prejudice in my major related classes yet, but that’s partially because I don’t know anyone well enough to actually care what they say, partly because I have headphones in during class almost all the time. I have had people try to get “creative” with their flirting though, automatically assuming that because I’m an artist, I draw nude people, and that I’d want to draw them … How I respond to them depends on how rude they’re being.

What’s the most common misconception about asexuality that you’ve encountered?

Ohh boy, there’s so many that I spent three years researching asexuality in order to academically debunk misconceptions and presented speeches about asexuality to just about any academic platform I could reach. (I’m no longer doing competitive speech as I switch to the coaching side of things, but I’m still ready to spread asexual awareness.)

The one that I hate the most is when people think asexuals are being childish if they state that they have no sexual attraction, especially if they say that they’re a sex-repulsed ace. I’ve had people say that I’ll eventually “grow up and want sex,” and when I literally had an anxiety attack due to a class assigned movie (marked UnRated and with no CW/TW in the film description, nor from the professor) that featured multiple explicit sex scenes and nudity, I was told to grow up and realize that “sex is an art form. You’re an artist, why can’t you appreciate that?” It’s frustrating that sex is seen as a major turning point in your life, the time you’ve “finally reached adulthood,” when there’s plenty of us who can live without it.

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Southern Belle

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Most importantly: you are not broken. Your orientation doesn’t make you any less valid than anyone else! Remember, for every person that takes you down, there’ll be many ready to help lift you back up again.

Also, it doesn’t matter if you fit some of the stereotypes or misconceptions of asexuality or not, you can still identify as ace. Things like “you can’t know if you’re ace if you’re a virgin,” “it’s just a hormonal imbalance,” “it’s because of PTSD/similar,” it doesn’t matter if these are true or not for you. If you feel like asexuality is the best label for your orientation, then you’re ace.

Finally, where can people find out more about your work?

I post my work on Tumblr with the tag “#ani amount of art” on both aniamountofart.tumblr.com and aniamountofsketches.tumblr.com; on Instagram/Twitter tagged #aniamountofart on artisticAllyzah; and my comic can be found at tapas.io/series/OMNI!

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Marco the Mallard

Thank you, Allyzah, for participating in this interview and this project. It’s very much appreciated.

Interview: Angela

Today we’re joined by Angela. Angela is a phenomenal artist who hasn’t met a medium she didn’t like. She does a fair amount of visual art, specializing in graphite and colored pencils. When she’s not drawing, Angela enjoys doing a variety of crafts: knitting, papercraft, making candles, etc. If all that weren’t enough, she also plays some musical instruments and works in theater tech. It’s very clear that Angela is a dedicated and passionate artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I’m not sure where to begin. I create all sorts of art from drawing, to knitting, to music and more. In terms of drawing, my favorite mediums are graphite and colored pencil; those are about the only things I work in. I also love crafting; I knit, I bind books, I make candles, I do papercraft… you name it and I’ve probably given it a shot, or at least would like to.

When it comes to music, I mainly focus on clarinet and saxophone. I’m in my college’s pep band but in high school I played a lot of jazz and more traditional wind ensemble music. I’m not sure if theater tech counts as art, but if it does, I love building, painting, and running set pieces. I also love doing sound and lights for theater and other events, which isn’t typically seen as art, but I think there’s a certain degree of artistry to it.

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What inspires you?

I’ve never really thought of myself as someone who really has a lot of inspiration, but I guess my pure love of the arts inspires me. I love creating things for myself and others to enjoy.

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What got you interested in your field?  Have you always wanted to be an artist?

I’m not sure what got me interested in each of my respective fields. Art is just a hobby of mine; I’m actually studying chemical engineering right now. I guess I’ve just always loved music, and everyone always told me I was good at drawing so I kept up with that too. I started building sets my freshman year of high school because I’ve always wanted to build things and the school play was my first opportunity to do so. When I turned seven, my grandma taught me how to knit so that got me started on fiber arts.

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Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t actually have any sort of signature or symbol that I include in my work, but I absolutely love when people do.

What advice would you give young aspiring artists?

I guess the advice that I would give young aspiring artists would be to never give up. If you find an art form that makes you happy, keep doing it. Don’t let anyone tell you you’re not good enough or that it’s a waste of time. The more you work at it, the better you’ll get. And even if your work never reaches professional quality, the important part is that you enjoy it and it makes you feel good.

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ASEXUALITY

Where on the spectrum do you identify?

I identify as asexual.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I haven’t really encountered any kind of ace prejudice in general. I tend to surround myself with good people, and I’ve been very lucky in that respect. The most I’ll get is people not knowing what asexuality is, but when people ask I just explain it and it’s all good.

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What’s the most common misconception about asexuality that you’ve encountered?

I think the most common misconception about asexuality is that it’s the same as sex repulsion. I think a large part of the community is sex repulsed or sex averse, but that doesn’t mean that they’re inherently linked. Plenty of aces enjoy sex without experiencing the attraction.

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What advice would you give to any asexual individuals out there who might be struggling with their orientation?

It sounds pretty clichéd, but I would say to know that you’re not alone. It’s okay to question, and it’s okay to be unsure. There’s a great asexual community ready to welcome you home and help you through anything you need.

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Finally, where can people find out more about your work?

I’ve posted a bunch of my arts and crafts at angelas-arts-and-crafts.tumblr.com if anyone wants to check that out. If you want to speak to me about all the stuff that I do, feel free to message me there or I suppose you can e-mail me at emailjunkedyjunkjunk@gmail.com (yes that is my junk e-mail, I’m not kidding, Gmail didn’t accept the first five or six options I put in so I decided on something ridiculous) if you’re really that interested. I’d be happy to talk to you!

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Thank you, Angela, for participating in this interview and this project. It’s very much appreciated.

Interview: Kodiak Rain

Today we’re joined by Kodiak Rain, who also goes by Kodi. Kodi is a phenomenal visual artist who does a bit of everything. Ze enjoys colored pencils and watercolors mostly, although ze has worked with clay, acrylics, and oil paints as well. Kodi also illustrated a graphic novel written by zer son entitled Trayvalle Tales (it can be found on Amazon, here). Ze are incredibly passionate about art and zer work shows a remarkable amount of depth and complexity as well as a phenomenal use of color, as you’ll soon see. My thanks to zer for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I work with a variety of mediums from oil paint to acrylic to watercolors, sculpting with clay, drawing in pencil, ink or colored pencil or a combination of those, pastels, charcoal, using a Wacom drawing pad to create digital art, woodcuts and printmaking. Of all those things, I think my current favorites are colored pencils and watercolor paints. I like how those methods are easy to use so that I am able to work quickly without a lot of set up or clean up.

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What inspires you?

Nature is my biggest inspiration. I wish to capture its beauty while also offering a perspective on it that reminds others that we are part of nature and that nature is alive all around us. Even more alive than we tend to give it credit for on a daily basis. Emotions also inspire me. I want my images to evoke feelings although I don’t always want to determine ahead of time what those feelings will be. And finally symbolism inspires me. When working with images, there are so many ways to express different ideas, emotions and messages through symbols both ancient and more modern. It is fun to think about what symbols are universal and what may be very individualistic.

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What got you interested in your field?  Have you always wanted to be an artist?

My mother was a professional artist all my life so I was exposed to art from the beginning. It wasn’t what I dreamed of being, it was just something I loved to do and found myself doing most, in fact with every opportunity I was creating something. I was fortunate that I had access to so many materials and was encouraged by my mom. I eventually discovered that I simply cannot live without making art. It has been many things for me. It has been my saving grace, my therapy, a way to tell my own story and the stories of others, a way to communicate my character and a way to express things I find hard to say in words.

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Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I often include spirals because the spiral is found in the double helix of DNA and also in the vastness of a galaxy. It has mathematical qualities and just seems to be the most magical of symbols to me. I also like to draw eyes in my trees (not always but sometimes) to symbolizes that nature is watching us and judging our actions. I guess I am a bit of an agnostic pagan.

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What advice would you give young aspiring artists?

Draw every day! Try every medium! Find what you love and don’t stop. Develop tough skin so that if you are criticized or critiqued, you will hear what is beneficial to you and toss out what hurts. Do it for YOU.

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ASEXUALITY

Where on the spectrum do you identify?

I guess I am somewhere between asexual and demisexual and often sex repulsed.

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Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I find more prejudice about being agender than asexual because I think people haven’t wrapped their heads around the idea that someone can be genderless. I think though that my sexuality doesn’t come up often enough for me to experience prejudice, although I know that some people think that it means something is wrong with me. I even had someone take it personally as if it were a judgment about their sexual ability when in fact it has nothing to do with other people and is simply all about me.

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What’s the most common misconception about asexuality that you’ve encountered?

I guess that being asexual means that there is something wrong with me physically or that I just haven’t been with a good lover or found the right person. Also that I am a prude. I am not a prude and can talk about anything regarding sex with an open mind AND my asexuality is not about other people. It is all about me, what I feel and how I identify.

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What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Just be true to yourself and know that you are healthy. What matters most is what makes you happy, what makes you feel good about yourself and your life. Nothing else matters as much as that. Remember that most of the time, people are projecting their own experiences and ideas onto each other so know yourself and don’t worry about what other people think.

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Finally, where can people find out more about your work?

I used to use Tumblr under a different name but I have forgotten the account info for that so now I have my own blog here on WordPress: kodiakrainblog.wordpress.com. It is fairly new but I plan to share my artwork and my life story there. I hope you check it out and subscribe if you like what you see!

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Thank you, Kodi, for participating in this interview and this project. It’s much appreciated.

Interview: Andi

Today we’re joined by Andi. Andi is a phenomenal visual artist who specializes in a cartoon style. They also do a bit of realism and do both original and fanart. Andi is inspired by many things and has a wonderful amount of enthusiasm, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

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Aang

WORK

Please, tell us about your art.

I’m a cartoon style artist first and foremost! I love digital art and watercolor the most, but I’m well versed in graphite, acrylic, colored pencil, pastel, and most recently oil paints. I also have a touch of skill in realism! I do a lot of fan art, but I also make original art.

What inspires you?

Nature and animals most of all! I love plants and animals and natural things. I’ve also been heavily inspired by media about magical characters and fantasy worlds. I usually combine features from whatever I’ve most recently been obsessing over, and different aesthetics I enjoy. Video games and TV have had huge influences on my art.

What got you interested in your field?  Have you always wanted to be an artist?

Art has always been a part of me for as long as I can remember. I feel like Pokémon probably had the biggest impact on my early art direction and interest. Both the games and the anime drove me to create and helped fuel my love of art. Art is life.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I like to include diverse features and shapes to my art to create variety! I love unique nose shapes a lot and different body types are lovely uwu

What advice would you give young aspiring artists?

USE REFERENCES PLEASE! Honestly I’m still taking my own advice here. Learning from life and having patience to do so will take you far. You begin to develop your own shortcuts that you can translate into cartoon styles and simpler designs.

Also sketch! Build up shapes and lines before you solidify details!

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Charconcept

ASEXUALITY

Where on the spectrum do you identify?

I am Panromantic Asexual! I experience no sexual attraction, though I’m not sex repulsed. I actually find it really fascinating? I have no interest in participating but I’m totally comfortable talking about it. I’m rather frank, actually.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Luckily I haven’t. Only people I’m friends with know I’m ace and they’re supportive. It’s pretty easy for me to avoid sharing with others. People I know are open to learning.

What’s the most common misconception about asexuality that you’ve encountered?

People thinking that I can’t/won’t/don’t have sex. I have and honestly, not impressed.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Please be patient with yourself. Don’t force yourself to do things you don’t want to. It’s hard to recognize a lack of something, and it’s confusing watching other people do and say things that you may not experience the same way, or at all. Be good to yourself!

Finally, where can people find out more about your work?

My art Tumblr!
https://ag-art-things.tumblr.com/

My website!
http://andreargraham.wixsite.com/agart

My FB page!
https://www.facebook.com/ANDILION5356/

And my Twitter!
https://twitter.com/Andilion5356

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Panther

Thank you, Andi, for participating in this interview and this project. It’s very much appreciated.

Interview: Kelline

Today we’re joined by Kelline. Kelline is a phenomenal visual artist who does both original work and fanart. She’s a hobbyist who mainly does traditional drawings and watercolors, although she also dabbles in digital art. Her work is gorgeous, making expert use of bright vivid colors and lines, as you’ll soon see. My thanks to her for taking the time to participate in this interview.

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Michelle

WORK

Please, tell us about your art.

My drawings tend to be human driven, I just really enjoy drawing people above all else.

I have my own set of characters that wander around my head, but as I can’t commit to writing anything about them, they’re not much more than vague muses that appear in my drawings sometimes. I have a bit of a world and a magic system that’ll also be referenced in some works but again . . . lazy writer.

I also do a fair amount of fanart, mainly video game related (Pokémon and Undertale are the most recent themes). I used to do a LOT of Nintendo fanart. A lot.

My favorite mediums are watercolors, colored pencils, and recently ink/pens/markers. I do tend to very lightly combine digital elements into my work through color edits or added effects, this is based from before I had a scanner and had to rely on Photoshop edits to make my photos of the artwork look at all decent. I also occasionally do digital drawings.

What inspires you?

Music, video games, nature, night skies and outer space, other artists, dreams, and I guess feelings in general.

What got you interested in your field?  Have you always wanted to be an artist?

Pretty much always! I’ve loved drawing as far back as I can remember. My first inspirations were my mom, she makes cool colored pencil drawings, and my grandmother (mom’s mom) who was an amazing painter. Plus I was an imaginative kid, and liked illustrating all of my stories and fancies.

My original plan for after high school was to study art and do it professionally, maybe as an illustrator, but my parents (who were kind enough to pay for my college education) wanted me to study something that would get me a quote-unquote “real job.” But the major I settled into “Digital Technology and Culture” (in a nutshell it’s basically digital communication and rhetoric), was a pleasant mix of writing and visual design, so I still have some graphic design work I do in my current office job, and I’m free to pursue art as my hobby outside of work.

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Reset

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t think so? I’ve been told my style is pretty unique, that’s good enough for me; I’ve never thought of adding a unique symbol/trademark.

What advice would you give young aspiring artists?

Sorry I have lots of thoughts here:

Check thrift shops for cheap supplies! – Probably won’t have too much luck with more expensive supplies, like paints and higher quality tools, but I’ve found great grab bags of colored pencils, crayons, pens, pencils, and erasers at my local Value Villages. Part of why I have a giant shoe box filled with colored pencils. >w> I’ve also seen basic watercolors and pastels. You could probably find some sketchpads too!

Keep pushing through! – Almost every drawing I do there is a point, usually early on, where I absolutely hate it and want to scrap it. But over time I’ve learned that if you can push past that point, keep adjusting the sketch, add shading, change the colors, I can get it to a point where I love, like, or am at least “okay with” the drawing.

Don’t be afraid to erase! – This was a mantra of one of my college drawing instructors, and I still think about and use it. Basically if you just know something is off with your work, don’t be afraid to fix it, even if it means completely starting over. Don’t stress so much about messing up what you have now to not fix something that’s bothering you. If nothing else, I think forcing yourself to acknowledge and fix the error could lead to improvement in future drawings. But also keep in mind:

You have to stop at some point – Advice from an editing teacher that I also think about when I draw. If you’re a person who is a perfectionist or an overachiever, know that there’s never going to be a point where the drawing will feel 100%, completely perfect, flawless. Especially since we are our own worst critics (and also have spent the past 8 hours looking at the bloody thing), we’re going to see every little error in a drawing. But there has to be a point where you have to let go and call it done. It probably varies by artist, but for me it’s when it gets too exhausting to keep working on it, and I feel okay calling it done.

Above all, don’t give up! – Art can be frustrating, it can be emotionally draining, and it can be tough to see people who seem more talented or popular than yourself. But if you love it and/or it’s a part of who you are, don’t give up. It’s still so worth it, as an expression of who you are and what you feel, what you love and care about. It’s worth it to see yourself improve, and realize you’re creating things you once couldn’t, or better than you once could.

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Take Care

ASEXUALITY

Where on the spectrum do you identify?

Asexual definitely, but I’m very unsure where my romantic orientation lies. I used to think I was hetero, but realizing I’m ace has kind of opened new ideas for me.

I think I’m either heteromantic, panromantic, or aromantic. Pan is my current thought, but I feel generally not wanting a relationship right now, so it’ll be hard to say until my heart’s ready for that again, if it ever is.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Ace ignorance is pretty common everywhere; I’ve never personally encountered ace prejudice, either in my drawing/art sharing experiences or in my past or current jobs. I see ace prejudice on Tumblr more than anywhere else. <_<

What’s the most common misconception about asexuality that you’ve encountered?

The most common? I don’t know, I don’t really talk to people about asexuality (I mean I ramble online sometimes, but that’s different). Going off of general attitudes, probably that “real” asexual people would never experience any kind of sexual feelings or enjoyment ever. And that they probably wouldn’t experience romantic feelings either.

It’s definitely a giant part of why it took me so long to identify as ace, and I think also a large part of why asexuality either never came up or wasn’t taken seriously in past romantic relationships, even when I was trying to explain to past partners how I could care for them deeply yet still be very disinterested in sexual activities.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

Listen to yourself. If something feels right or really uncomfortable/wrong, listen to it. Don’t let others dictate what you are or aren’t, listen to yourself; you know your feelings better than those who only have an outside view. Even if you think it is “just a phase” and things will change, your current feelings are still worth listening to. If identifying as ace (or any other orientation) is what makes you feel comfortable and happy, do it!

And do your research; if you think something but aren’t sure, look into it. Find the science, listen to other experiences. Don’t just say nah and ignore your feelings.

Finally, where can people find out more about your work?

In a few places!

DeviantArt: http://kelline.deviantart.com/
Tumblr: http://artsyagnostis.tumblr.com/
Twitter: https://twitter.com/SweetAgnostis

While mostly similar, there are some differences between them. My DeviantArt is the oldest, has the most on it, and where I’ll talk the most about my drawings. My Tumblr is where I’ll post the more personal thoughts or less finished work. My Twitter is pretty new and kind simple and breezy, but I also just started a Throwback Thursday where I’ll be posting REALLY old stuff, currently from the my first ever “sketchpad” I had when I was 5 or so, and might eventually move on to some of the sillier/wackier drawings I did when younger.

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Poketale Undyne

Thank you, Kelline, for participating in this interview and this project. It’s very much appreciated.

Interview: Vide Frank

Today we’re joined by Vide Frank. Vide is a phenomenal illustrator from Sweden. They’re part of a group made up of asexual and aromantic individuals. Vide was also on a panel about asexual and aro issues at Stockholm pride. Their work is gorgeous and vivid, evoking an incredible amount of emotion, as you’ll soon see. My thanks to them for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I’m a visual artist, which is a very broad term. I paint and draw both digitally and traditionally but have also dabbled around in sewing, sculpting, writing and jewelry making. I mostly stick to painting and drawing though. I use a lot of different mediums, like watercolor, markers, graphite, oil paint, acrylic paint, colored pencils, photoshop and paint tool sai.

What inspires you?

So many things, like music, movies, books, fanfiction, poetry, photos, drawings, paintings and real life. I’m very driven by my emotions though, so it all depends on how I’m feeling in that moment.

What got you interested in your field?  Have you always wanted to be an artist?

I guess I always had this fascination with art, I used to beg my mom to draw things for me and I loved to use my hands to create things. Art has always been a part of my life, although I didn’t really try to improve until I was around twelve, and it wasn’t until I was fifteen that I actually thought of making it into a carrier. I don’t believe enough in myself to actually take that leap though, so I’m studying to become an assistant nurse at a gymnasium in Sweden.

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Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

I don’t really have a symbol or feature, since I think I would grow tired of it and start to hate it.

What advice would you give young aspiring artists?

It’s okay if your art look like crap, your dance can be off or you could have fucked up that seam, and that’s okay. Perfection isn’t necessary, it’s just tiring. Keep practicing, keep making mistakes, keep working and someday someone will say that you did well, and maybe that won’t be enough, but maybe it will. Learn to love the journey, not the result (as cheesy as that sounds).

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ASEXUALITY

Where on the spectrum do you identify?

Demi gray asexual, which means (according to me) that I need to have an emotional connection to a person to feel sexual attraction to them, but it’s still very rare for me to experience sexual attraction.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

In my field? No, but that’s mostly because I’m not very open about my “queer-ness” around my art. In other places? Yeah, defiantly. I mostly try to keep a calm and open mind when I meet these people, and try to calmly explain my point of view with examples and such. Most of the time they understand or we agree to disagree.

What’s the most common misconception about asexuality that you’ve encountered?

That we don’t have sex or that we just need to find “the one”. Both are complete bullshit, I can have sex with a person and still be ace, asexuality isn’t about our actions, but about our attractions.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

You don’t have a find a label or figure everything out, it’s okay to just be. If the people around you don’t support you there’s always other people in the world, someone out of the seven billion are going to understand.

Finally, where can people find out more about your work?

You can find my art on my Instagram at plantrot:
https://www.instagram.com/plantrot/

Or my portfolio http://vide.teknisten.com/

You can also buy some of my works at my Redbubble: http://www.redbubble.com/people/videfrank
(or contact me at vide.frankh@gmail.com)

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Thank you, Vide, for participating in this interview and this project. It’s very much appreciated.

Interview: Oliver

Today we’re joined by Oliver. Oliver is a wonderful visual artist who works in both traditional mediums and digital as well. Their style is inspired by cartoons and anime, though they also do realistic drawings as well. Their work is brimming with beautiful vivid colors and wonderful flowing lines, as you’ll soon see. My thanks to them for taking the time to participate in this interview.

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WORK

Please, tell us about your art.

I love drawing people. I like to draw realistic portraits, but I find a more cartoony/anime inspired style is very fun as well.

The majority of my work is done traditionally, usually an amalgamation of water colour, coloured pencil, and ink is used. But I dabble in digital art as well.

I’m the kind of person who carries around ideas for pieces for years without actually ever putting them on paper. I find it very hard to translate the bigger concepts and visuals I have in my head into real life. So it’s not often my drawings make it past the sketchy pencil stage before I shove them away in exasperation never to see the light of day. Often times I go through these sketches at a later date, going “this is really good! But it isn’t like how I had conceptualized it all” and back into the abyss it goes.  *laughs*

I use art as a personal casual hobby. I often struggle to express myself effectively in verbal and text communication, so sometimes drawing out what I’m feeling, or how much I love something can be really soothing. So in that regard my art is very self-centric, art to me is about showing who you are in a way others can relate to.

What inspires you?

Other artists always! I love storytelling, especially visually, and don’t think I ever would have found the drive to draw if it was not for other artists around me. I specifically know I’ve been rather influenced by Shigenori Soejima, Egon Schiele and Gustav Klimt.

I can’t really pinpoint for my original pieces what inspires me, striking visual thoughts or feelings mainly. It’s very abstract. I have whole reference folders dedicated to abstract imagines that make me feel ___ to help me draw that visually.

For fan art pieces, this is always much easier. I just have to try and channel what I love about that character, and then think of a dynamic visual way I can show that love to people.

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What got you interested in your field?  Have you always wanted to be an artist?

DeviantArt was definitely a game changer for me. Little grade 5 me was introduced to it by one of my older siblings. I formed a close knit community with other artists around the same age and artistic level as me, and I was always pushed to keep producing things and learning and help them do the same. I thrived there for a long time.

I really wanted to be a professional artist, and had a lot of support in early high school to try and make a portfolio to attend a university art school. But I found once I put my nose to the grind stone and lived , breathed , and sweat art for that portfolio , that art wasn’t something I was interested in pursuing professionally. I hated the restrictions of what I could and couldn’t draw. I hated the class time as I often didn’t want to draw past 20 minute intervals. It was around this time I decided to see art as a hobby, because it was the only way I really enjoyed it.

Now with other obligations and just life in general , I don’t get to draw much , and I don’t see as much rapid progress in skill as I did once , but I really enjoy drawing and that’s something I’m really glad has persisted. It’s so relaxing!

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

No, not really. I have been told I have a very unique line texture by several people though (I’m not sure that’s a good thing though!)

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What advice would you give young aspiring artists?

Keep drawing what you like, not what other people like!

And if you’re considering becoming an artistic professional give yourself a time line where you will dedicate yourself to you’re art 100% to see if it really is the right fit for you! Evaluate, after that time line and make your choice from there. There is no wrong choice either.

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ASEXUALITY

Where on the spectrum do you identify?

I’m a Nonbinary Panromantic Asexual.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’m actually incredibly lucky to live in a big city, which has a pride center that specifically organizes asexual pride events and casual hang outs.

At my job, I work with several A-Spec coworkers. And the rest are part of the Queer community themselves or are very supportive Allies.

I tend to get flack for other aspects of my identity, more so because it is easier to see upon introduction that I am trans, versus asexual, which is only brought up when discussing sexual activities (which rarely is a work topic, which makes the NSFW acronym pretty relevant *finger pistols)

What’s the most common misconception about asexuality that you’ve encountered?

Probably from my family, they are all incredibly sex positive, and so am I, so I’m very open that sex is not something that appeals to me. I have identified as Asexual since I was 13. I am now 21. My mother was a late bloomer and she keeps insisting I’m just a very very veerrryy late bloomer. :/

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What advice would you give to any asexual individuals out there who might be struggling with their orientation?

I never really talked about my lack of sexuality until I connected online with other Aces. Foster a community and raise awareness. It’s very hard to feel isolated when you know others are experiencing the same thing as you are. Plus you will make some amazing friends along the way. 🙂

Finally, where can people find out more about your work?

My personal art blog is http://p3hero-art.tumblr.com/
My main blog is http://p3hero.tumblr.com/

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Thank you, Oliver, for participating in this interview and this project. It’s very much appreciated.