Today we’re joined by Dominique Rea Parent. Dominique is a phenomenal filmmaker who edits shorts. She has had two short films screened at the Digi60 Film Festival in Ottawa, Ontario: Follow That Melody and Something Beautiful. Both are available to watch online. Dominique is an incredibly passionate artist who loves film, as you’ll soon read. My thanks to her for taking the time to participate in this interview.
Please, tell us about your art.
Well, cinema is a very collaborative art in which I participate as an editor. It’s a lot like cooking, nothing comes together until you add 3 spoonfuls of garlic or you know, a star wipe here and there. In all seriousness though, I really like making people cry and laugh and shiver with fear.
I have participated in the Ottawa Digi60 Film Festival twice. The Digi60 gives you 12 days to create a 3 minute short film based on a theme. It’s a really fun process and a very satisfying goal to achieve.
Our 2016 short Something Beautiful was shot in one night and I edited it in 4 days. I had fun playing around with masking and pacing. Delivering an emotionally complex story in 3 minutes was very tasking as well as the night shoot. Thank the film gods for the pizzeria that was open at 2am when we were wrapping production. For this year’s short Follow that Melody my co-filmmaker and I decided that we wanted to centre the plot around happy lesbians and that we wanted it to be visually sound and easy to understand without any dialogue. This short pushed me further into colour coding and 3 dimensional tracking. Not gonna lie, I awed a little while editing.
What inspires you?
Cult films about a team of ragtags coming together as a family, but honestly so many things. Comic Books for when I am storyboarding, music and musical theatre for pacing and delivery, other movies and series for when I am looking for new ways to tell stories. LGBT stories and documentaries are always inspiring. The mixed tracks and moodboards that my co-filmmaker makes for me are super inspiring when I edit. Also baths . . . whenever I am feeling unproductive and need inspiration 1 hour luxurious baths do the trick, shout out to Lush.
What got you interested in your field? Have you always wanted to be an artist?
So there are three movies I can thank for getting me into cinema™ and those are Alien, School of Rock and Back to the Future. But really what got me into making movies is kind of ridiculous. I was about 10 and obsessed with Nightmare on Elm Street and I had just been introduced by my brother to Windows Movie Maker. Tiny me decided that my hyperfixation could not be satiated with the existing fan content for Nightmare on Elm Street in early YouTube, specially not after Dream Warriors. With that mindset I decided that I would rewatch every movie, mark down the usable clips and make a music video of Nightmare on Elm Street to the beat of Wake Me Up Before you GoGo. The moment I finished I knew this was my true calling.
Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?
It’s all pretty gay for the most part. Very non-sexualized relationships and horror are big parts of it. Heavy colour coding because messing around with colours is fun.
What advice would you give young aspiring artists?
Other artists are your friends and you should always try to connect with them and treat them with respect. Much like business networking and community are very important to success. Don’t undermine your own work, exposure doesn’t pay rent so don’t work for free, especially because this also undermines the work of your peers. Volunteer opportunities and internships very rarely pay off and unless you are in a position where living expenses are paid for you I would strongly advice against them. Be presentable when meeting clients. Have a contract ready, even if you are working with friends, this protects the both of you. Practice every day, eat your veggies.
Where on the spectrum do you identify?
I am asexual and bi
Have you encountered any kind of ace prejudice or ignorance in your field? If so, how do you handle it?
Not really, in my experience the few people who know I am ace were just curious and asked pretty general non-intrusive questions. My co-filmmaker is also ace so I am lucky in that way that we are always in tune.
If I did come across prejudice I would try to work it out with that person, most likely they are oblivious as to how they are being offensive or rude. If they were being malicious in any way I would bring it up to a superior or refuse to work with that person. If you are an artist in any workplace you are protected by worker rights and harassment laws protect you from prejudice.
What’s the most common misconception about asexuality that you’ve encountered?
I haven’t really gotten all that many misconceptions to be honest. I feel like mostly people are confused as to whether I actually want a relationship or not or if I like people romantically or not. How does it work? or How does it feel? is the most common question I get.
What advice would you give to any asexual individuals out there who might be struggling with their orientation?
Nothing is set in stone. Labels are here to help you and if they fit that’s great you have a community here for you. If they don’t fit then that’s okay too, you really don’t have to explain anything to anyone about yourself. If you’ve perceived yourself as someone different your whole life, but this new identity seems to suit you, well there’s no one here to tell you who you are but yourself.
Finally, where can people find out more about your work?
Thank you, Dominique, for participating in this interview and this project. It’s very much appreciated.