Today we’re joined by Jess Renae Curtis, who also goes by Jess or Pup. Jess is the phenomenal artist behind PuppyLuver Studios. She does mostly fan work at the moment but has also recently branched out into original work. She is currently dabbling with creating an original universe. Jess is mostly a digital artist and creates both fanart and original characters through drawing. Her work is bright and colorful, capturing the viewer and drawing them in. It shows an amazing attention to detail. It’s clear she’s an extraordinarily talented artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.
Please, tell us about your art.
I’m both a writer and a digital artist. My illustrations are generally focused on characters, both original designs and those from fandoms I’m involved in, and tend to use a lot of varied color. My writing is involved in both fanfiction (notable ones I’m working on at the moment include Chronicles of Tajiria, a Pokémon series but with the Pokémon as people with superpowers/magic, and Sonata in Triplicate, a Legend of Zelda AU series) and my original series Theia Historica, of which I have the first entry (titled A Kingdom of Children) published.
What inspires you?
I don’t really have a definite answer for that, it could be just about anything depending on what sort of thing or things it ends up inspiring. I’ve had small one-page comics based on something funny that happened to me while playing a video game, I’ve designed a character because a YouTuber I follow posted a video of himself shaving his beard with a razor that I initially thought looked like an owl, I’ve drawn pieces based on something funny a friend said to me, lots of things. In fact, the general art direction of Theia Historica has its roots in one very specific part in the PS2 role-playing game Okage: Shadow King, but it’s a long explanation so that’s a story for another time.
What got you interested in your field? Have you always wanted to be an artist?
I’ve been drawing ever since I was a little kid, and while I always liked drawing it wasn’t what I wanted to do with my life for the longest time. Funnily enough, my first career choices were astronaut and veterinarian, before I realized that the things in space kinda scared me and I was squeamish about blood and other bodily fluids, so around middle school I decided to try a career path that I already had some skill and comfort in. I started storytelling shortly after becoming literate, though unlike visual art that was always something I could see myself doing professionally, though more as an “after I’m done being an astrovet” thing than as part of my main career.
Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?
Can’t think of anything in particular except for the star that I use as my watermark (a five-point star with each point being a different color of the rainbow except for orange). Also in major writing projects I tend to find some way or another to put myself in there. Just…self-insert in the background, there I am.
What advice would you give young aspiring artists?
If you’re feeling discouraged about your skill level, remember to keep trying and that you can only get better. You’ve got wonderful visions that’ve been concocted solely by the processes of your imagination, and only you can bring them to life for the world to see. Also, don’t pay attention to what cringe culture says. Make that multicolor Sonic OC if you want. Write a short story about you getting transported to your favorite fictional world and becoming best buds with the main characters if doing so cheers you up when you’re feeling down. Don’t let anyone stop you from enjoying something that makes you happy and doesn’t hurt others.
Where on the spectrum do you identify?
I’m a sex-repulsed asexual. I’m not entirely sure yet of where I fall in regards to romantic attraction, but if I were to try dating I think I’d want my first attempts at romantic experiences to be with women.
Have you encountered any kind of ace prejudice or ignorance in your field? If so, how do you handle it?
Not specifically in my field, no, and I don’t really know how I would handle it if I were to encounter prejudice that was physical or coming from a position of authority. Most people I’ve told about my asexuality are a bit confused as to what it means at first, but once I explain they’re generally supportive. I have had encounters with people who flat-out refused to believe that I was an adult who didn’t enjoy sex and couldn’t ever imagine doing so, but that one was on me for commenting on a video explicitly titled “Why Does Sex Feel Good?” and saying that I couldn’t understand why sex-havers craved it so strongly (I mean, I technically can, cuz if sex weren’t at least somewhat pleasurable to those willingly engaging in it then the species would die out because then no one would be boinking and possibly making babies) and I thought the whole societal obsession with it was a bit ridiculous. I kinda walked into that one, and I ended up just muting that conversation and moving on.
What’s the most common misconception about asexuality that you’ve encountered?
If they don’t outright dismiss the possibility of asexuality/aromanticism existing, they tend to assume all asexual people share my feelings in that sex is something they wish to avoid. While I am not one of them, there are obviously plenty of asexuals who either are indifferent or even enjoy sex as an activity. I’m put off by all the mess that I’ve heard results from a typical sexual encounter to even consider trying it, but I will never knock on any sex-positive or sex-neutral aces.
What advice would you give to any asexual individuals out there who might be struggling with their orientation?
Not having a sexual or romantic attraction is just as normal as having a sexual or romantic attraction to people of a different gender, the same gender, or multiple genders. You’re not broken just because all your peers are ogling “sexy” celebrities and you find yourself feeling indifferent to the whole thing. And don’t listen to all the highly vocal exclusionists plaguing the internet that say a-spec people don’t belong. They are the minority given megaphones, and the majority of LGBT groups and spaces are inclusive of a-specs.
Finally, where can people find out more about your work?
Thank you, Jess, for participating in this interview and this project. It’s very much appreciated.