Today we’re joined by Megan. Megan is a phenomenal visual artist who is starting out in writing as well. They are an illustrator and comic artist from the Kansas City area, who focuses mainly on storytelling and narratives. They do a lot of narrative illustrations and comics. For writing, they’re interested in writing fantasy and prose. They’re clearly an incredibly dedicated and talented artist, as you’ll soon read. My thanks to them for taking the time to participate in this interview.
Please, tell us about your art.
I am an illustrator and writer, working full time as a production artist to pay the bills, and then working on comics and illustrations with narrative components on the side. I primarily work digitally, employing both a comic-y inking style, as well as a realistic sort of oil-painting style, all either on my computer and display tablet, or on programs on my iPad. As a writer I love to write fantasy and other prose fiction, and have started efforts to build a portfolio and work towards getting published, both short stories and future novels.
What inspires you?
The first place I usually look for some sort of inspiration is anything Neil Gaiman has said. He has given many speeches and written many essays on the importance of story and art in the world, and those- as well as his words on imposter syndrome- give me strength.
But I’m also fascinated by people. Humans are capable of amazing things like constructing massive skyscrapers and engineering microscopic movies; surviving under dangerous conditions, and getting together to hold festivals full of color and light. Traveling to different countries and being exposed to new cultures has been eye-opening for me and is a never-ending resource for inspiration and creativity.
As of late, Dungeons and Dragons has also been stimulating for me, from the components like dice and figurines to the stories people tell through the witty and clever characters they (and I) create. Who doesn’t love goblins and magic?
What got you interested in your field? Have you always wanted to be an artist?
I always enjoyed drawing and painting, although I was never really good at it. I loved getting new paint kits and sitting down to paint a little teapot or planter, but what really got me into art was my obsession with a particular video game. I was a high school sophomore, just starting part-time in college with the intent of pursuing a medical degree, and bored. My dad worked at my school, so I would sit in his office after class and wait til he could take me home. I vividly remember one day sitting in his office, and instead of doing homework, I started writing a fanfiction, pen on paper, that I had started rolling around in my head. Art had also sprung out of this video game obsession, where I discovered the concept of fanart on DeviantART (I was a sheltered homeschooled child). It made me honestly, truly happy to write and draw and see the progress I was making, and to see other people enjoying what I had made. When I took a college drawing course a year later, I only became more passionate and ditched the medical school plans for art, and never looked back.
Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?
One thing I like to do is that whenever I have to draw a crowd scene, I like to sneak in some of my characters from other places- Dungeons and Dragons, or old fanfiction characters- just subtly enough that not many would see anything different, but if you know the character, you could find them. I hope someday it becomes a bit of a ‘Where’s Waldo’ game.
What advice would you give young aspiring artists?
Have fun, and take care of yourself.
These two tasks seem so arbitrary but they really mean the difference for physical and mental wellbeing. Drawing can seem like a chore sometimes, especially when you’re only drawing or writing something to pay bills, but when you have free time to draw whatever you want, you should draw what you want to draw. Write what you want to write. If you go in with the idea that whatever you make has to be ‘good enough’ to be printed or published, you’re going to hit a lot of brick walls in the process that only give you headaches. But if you have fun with it, you’re more likely to finish your project, and just finishing is half the battle.
But taking care of yourself is vital as well, and I wish it was emphasized more in educational settings. You NEED rest, you NEED food and water, and though I realize the idea of the ‘depressed artist working 16 hour days’ is fairly romanticized, it’s actually incredibly debilitating to work like that, if you can work at all. You can’t make your best work while you’re exhausted, and pushing yourself too hard will end up destroying your mind and body. Seriously. Take a break. Right now, go stretch and drink a glass of water.
Where on the spectrum do you identify?
I identify as Asexual as a broad term, and I’ve definitely hovered over different labels and questioned myself several times, but I’m most comfortable for the time being with the umbrella term of ‘Ace’. I believe I may be demiromantic, but I’ve never had a relationship and don’t intend to explore that area just yet. Someday though.
Have you encountered any kind of ace prejudice or ignorance in your field? If so, how do you handle it?
I’m not really out about my identity, so I’ve avoided it. There aren’t many aces that I’m aware of in my field, so I haven’t seen anything. I’m sure there’s prejudice out there though, people are unfortunately afraid of things that are different.
What’s the most common misconception about asexuality that you’ve encountered?
That asexuals don’t like sex! I think that it could be more difficult for some to get into the mood, but Asexuality is defined as having a lack of sexual attraction to people, not the lack of desire for sex. An ace person could still be romanced for sure, or maybe they just really enjoy some self-love!
(Also, the A stands for Asexual, not Ally!!)
What advice would you give to any asexual individuals out there who might be struggling with their orientation?
Nothing is set in stone, your identity is going to change as you explore and experiment. And that’s fine, most people try several different labels and have various experiences before they settle into something that ‘fits’. And sometimes, maybe you don’t find something that fits, and that’s okay, too. You’ll always be You.
Finally, where can people find out more about your work?
Thank you, Megan, for participating in this interview and this project. It’s very much appreciated.