Today we’re joined by Taylor. Taylor is a fantastic visual artist who works mainly in graphite, ink, and colored pencils. She mostly does portraits, but has recently started branching out into creative space type drawings. Her work is absolutely beautiful, drawing the viewer in with her attention to detail and use of space. It’s clear she’s a dedicated and passionate artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.
Please, tell us about your art.
Hello! So, my art has always been all over the place, but I have stuck with drawing since childhood. I’ve only been a hobbyist, taking some drawing classes throughout school, but my goal is to work part time and run an art studio on the side.
My work is usually black and white, either graphite or ink, or colored pencil on black paper. I love working with high contrast and, specifically with portraits, minimalistic shading. I like working with realism, but I’ve recently branched out into some more creative, space-y pieces.
What inspires you?
Music has been a huge influence for me. Despite lacking any musical ability whatsoever, music has been a huge part of my life. Listening to storytelling in the lyrics, along with themes and feelings that can only be portrayed through instrumentals, is such a creativity boost for me and helps me branch out of my artistic comfort zone.
What got you interested in your field? Have you always wanted to be an artist?
Art, as a kid, was the only thing I really engaged in. I was the type that naturally did well in school, so I never really had to try or care. However, with art, I could really experiment and improve my skills, so I devoted all of my time to drawings. As I got into high school, I began studying fields I saw as potential careers, yet I didn’t stop drawing.
My overbearing logical side always stopped me from seeing myself as a professional artist. However, I realized that, even if I don’t do it professionally, I can still be an artist and devote myself to my artwork.
What advice would you give young aspiring artists?
Don’t stop! You’ll see really, really good artists, and you’ll meet people who will look down on your art, but you shouldn’t let that get in the way of your creativity. I completely stopped art for a full year because I felt I was inadequate and that art would never get me anywhere in life. It was hard to get out of that funk, but getting back into art was the best decision of my life.
Where on the spectrum do you identify?
I identify as an aromantic asexual.
Have you encountered any kind of ace prejudice or ignorance in your field? If so, how do you handle it?
I have gotten some weird backlash for creating LGBTQ pride art, because I’m not “really a part of the community.” Honestly, I just ignored it and kept doing what I was doing. Asexuality is a part of the LGBTQ community, regardless of what anyone else tells you.
What’s the most common misconception about asexuality that you’ve encountered?
Since I have divorced parents, no one believes I am really asexual, especially aro/ace. They all tell me that it’s because I didn’t grow up seeing a loving relationship. However, my backstory isn’t traumatic and my situation doesn’t define my sexuality.
What advice would you give to any asexual individuals out there who might be struggling with their orientation?
Don’t worry about labels in the beginning. I was so freaked out about whether or I was straight or gay or bi or anything. If you’re struggling, just be yourself. You may find a label that perfectly fits, and that can give you a wonderful sense of community and not being alone, or you might not. Even if you don’t have a perfect label, you are still valid.
Finally, where can people find out more about your work?
Thank you, Taylor, for participating in this interview and this project. It’s very much appreciated.