Today we’re joined by Taylor Cruse, who also goes by Triscribe. Taylor is a wonderful up and coming writer who also does some visual art as well, including character design. She has recently become really interested in world building and has begun to create her own fantasy world, where her novel is set. She has this admirable love for art and the written word in particular, which makes for an engaging interview. My thanks to her for taking the time to participate in this interview.
Please, tell us about your art.
Hold onto your hats, then, ‘cause this might take a while!
To start, I’m both a visual artist and a writer, as the two are often intertwined with me. A lot of my stories start out as drawings of characters who then receive names, backstories, places to live, adventures to experience, so on and so forth. I consider the world-building to be just as much a craft as the physical art of sketching and coloring my characters or planning out plots – having a wealth of little details to be able to include in even simple dialogue can be so important to making the story come alive for my readers. This holds true even in the realm of fan fiction, where I also spend a fair amount of time.
I’m also proud of how my recent experiences in college have opened my eyes to greater realms of diversity for my characters to take part in – not just visually, as I’ve done in the past, but also mentally, emotionally, and of course, romantically. When my Stories from Sarant, starting with the Turning Point trilogy, are published, I want them to be a beacon to marginalized categories of readers – the ones eager to read books with asexual main characters who don’t need romance to fulfill their plot, female leads who are strong in more ways than just being able to punch the bad guys, and characters of color who get to be more than the sidekick or comic relief. (Point in fact, the mainest of the main characters in my above-mentioned trilogy, Crant, is all three of these things, and also goes on to become a hero to everyone in her war-torn and race-divided world. She’s the greatest of all my creations, and I hope when the book eventually comes out that readers adore her just as much as I do.) This is the kind of art I’m eager to share, because it’s the sort of stuff I’d have loved to see more of when I was younger, the kinds of things we need more of nowadays too.
What inspires you?
What doesn’t inspire me? The mountains surrounding my college campus, the utter insanity of family stories I hear from my mom and her mother, even the amount of time my dad poured into his World of Warcraft blog, Need More Rage, when I was younger.
It’s quite common for me to create a new superhero character based off of a friend of mine, or incorporate something funny I heard in ordinary conversation into a story scene. Even my pets will gain representations of them in the things I write, especially my wonderful golden retriever, Athena – she’s an inspiration all by herself, even if my animal-drawing skills aren’t enough to do her likeness justice!
I’ll also mention the more famous figures I’ve been inspired by: J.R.R.Tolkien, first and foremost, because that man went and built an entire world for his books, starting with the languages and working outward. Pretty obvious how he’s influenced me, yeah? The other big author was Anne McCaffrey, simply because of the sheer volume of fantasy stories she wrote, taking place at all different times and places. That’s what I want to accomplish as an author – I might be starting small with a single trilogy, but I’ve got more than fifteen other books I plan to write that happen all throughout the 70,000 years of history I’ve crafted for my world of Sarant, and then all my other projects of high, modern, and science fiction fantasy.
What got you interested in your field? Have you always wanted to be an artist?
Heh, well, you see, my parents were big on bedtime stories when I was little, using them as enticement to get me to want to go to bed rather than fight to stay up longer. Dad did an especially great job reading them, using all different voices, and went for a wide assortment: everything from Dr. Seuss classics to the Chronicles of Narnia to a children’s version of The Odyssey (Mom gave him a few weird looks over that last one, but then I became a huge fan of Greek Mythology and she gave up trying to interest me back into Amelia Bedelia).
As for my becoming a writer/illustrator… Apparently, at four years old, I wanted to get down some of the adventures I imagined during playtime. I dictated them to Mom, who dutifully wrote down every word in these blank booklets, into which I then drew all the corresponding pictures. I’ve still got a few of them in a box of old toys, and occasionally go take a peek to remind myself on the bad days that, yes, I do have greater writing and drawing skill than a four year old.
Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?
Three! Literally, the number three finds its way into most things I work on. (Once again, I blame all the Greek myths I read as a child.) The leader of my Jr. Team superheroes is called Trihunter; when it comes to coloring my black and white sketches, I usually incorporate at least three colors, whether they’re all different or just varying shades of the same one. Even my signature makes use of all three of my initials, TRC, rather than a first initial and last name.
Although, really, I think I don’t use that other option because I happen to have the same initial and name as my grandpa Tom… Was very awkward on the occasion when a friend of my grandmother’s visited their house, saw a watercolor of mine hung of on the wall and signed ‘T. Cruse,’ and asked in a startled tone if my grandfather was following Grandma into being an artist, as she makes and sells oil paintings for fun. After that, I decided it was a necessity to develop my own symbol, which I sign nearly all my art pieces with.
What advice would you give young aspiring artists?
Don’t. Stop. Practicing. Seriously, I’ve compared recent pieces (whether drawings or short stories) to stuff I made as recently as a year or two ago, and can see marked improvement because I spent so much of the time in-between getting in as much practice as possible. And feel free to mix it up, too! Dedication is good, but not to the point you become sick of the material you’re working with. Writing for superheroes and fantasy characters sometimes get stale, and I feel so much more invigorated to keep going after taking an hour’s break to write a journal entry or jot down some insane piece of family history from my maternal grandmother’s days as a professional juvenile delinquent. Same goes for visual art – when I can’t stand sketching one more skin-tight outfit or piece of armor, I take a while to go sit in my campus cafe and draw some of the people I see, or head partway the local hiking trail to paint the landscape around me. It all goes a long way to restoring my frayed sanity, and I highly recommend the same to anyone else dealing with the same issues.
Where on the spectrum do you identify?
Asexual panromantic, I think? Or perhaps lithromantic. I never had much in the way of romantic feelings or experiences growing up to gauge by, though I would every now and then develop what I thought was a crush on a friend of mine. To be honest, learning that asexuality was A Thing in my senior year of high school was a wonderful blessing I blindly clung to like a liferaft, and didn’t really start looking into all the different types until I came to college and got to meet great friends of all sorts of genders and sexualities. Even now, I’m much more content to spend evenings in writing alongside my fellow ace roommate, a previous interviewee by the username of Knightlychika, rather than attempt to define my unique brand of something-nice-to-daydream-about-but-not-to-the-point-I-want-to-do-anything-to-act-on-it attractions.
Have you encountered any kind of ace prejudice or ignorance in your field? If so, how do you handle it?
Heh, yeah, my mom had no clue what I meant last winter break when I told her I was ace. She listened to my explanation and even did some research of her own, coming to the conclusion that I was becoming My Own Person – which is all she’s ever wanted anyway, regardless of what form it took. I did make a point of telling her I wasn’t averse to the idea of eventually adopting a kid of two, in case she was watching any dreams of having grandchildren to spoil go down the drain, but Mom said she wasn’t anywhere near as worried about that as knowing I was happy and content.
What’s the most common misconception about asexuality that you’ve encountered?
“Oh, that’s just a phase, you’ll grow out of it.”
What advice would you give to any asexual individuals out there who might be struggling with their orientation?
Don’t feel guilty if you meet someone that makes you decide you aren’t asexual after all. For some people, maybe it was a phase, a defense mechanism against the world of dating and hooking up that becomes unnecessary. It’s fine – you absolutely ARE NOT justifying the ignorant people who think it’s a phase for all of us.
Every person is unique, with their own identity made up of all sorts of different factors, and while you can find groups of others with whom you share one or a few or a lot of those factors with, there’s no one you’re identical to. And if some of your factors change over time? That’s perfectly acceptable, normal, and doesn’t invalidate anything you were at an earlier point in time.
Finally, where can people find out more about your work?
I have the same username, Triscribe, on Tumblr, DeviantArt and FanFiction.net, where you can find old and new art, snippets of my current original projects, and of course stories written in all sorts of fandoms (Star Wars, the DC Batfamily, Harry Potter, and Voltron LD being some of my more popular favorites). Hope to see you there!
Thank you, Taylor, for participating in this interview and this project. It’s very much appreciated.